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This poster advertised a talk given by interior designer John Siddeley at The Glasgow School Of Art on the 24th of February 1977. Siddeley's notable commissions include the redecoration of the Swedish Embassy, the design of the Harlequin Suite at the Dorchester Hotel and the Park Lane Hotel in Piccadilly.

This poster advertised a series of lectures that took place in the Mackintosh Lecture Theatre at The Glasgow School Of Art from the 19th of January to the 9th of March 1994. These lectures were part of the Enterprise In Higher Education Business Awareness Programme. There were six lectures in total including: - Intellectual Property and Copyright: Caroline Sincock (Murgitroyd and Company) - The Applied Arts - Some Case Histories: Barclay Price (Crafts Council) - The Business of Design: Joe Hall (Blue Peach) - Corporate Culture: Jane Priestman (BAA, BR) - Making Design Work: Raymon Turner (BAA, Gatwick, Kilkenny, Wolff Olins, London Transport) - Getting Started: Janice Kirkpatrick (Graven Images) The front of the poster has an annotation which reads "Dugald: Professional practice talks you asked about! (poster is done by us too) - Mike H."

This poster advertised a lecture given by the author Nick Wayte which discussed the theory of Art and Design in education. The lecture was held in The Mackintosh Lecture Theatre at The Glasgow School Of Art.

Keynote conference took place on 25th April 2000.

This poster advertised a lecture given by illustrator Brian Grimwood that was held in the Glasgow Film Theatre on the 18th of November 1993. The lecture was advertised as a "Design School Distinguished Lecture" discussing the illustrative design work of Grimwood. Another lecture was also held at the Ca' d'oro Building on Gordon Street for members of the Chartered Society of Designers.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Jess Copsey has designed a poster for the Sergei Parajanov film 'The Colour of Pomegranates'. The poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Luo Tao has created a poster for Werner Herzog's film Nosferatu, using two etching plates in black and red inks, created in an edition of five.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aileen Crossley has designed a poster for the Virrorio Di Sica film 'Umburto D'. Crossley has created the poster using lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Emily Harding has designed a poster for the John Schlesinger film 'Billy Liar'. Harding has created the poster using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Oona Brown has designed a poster for the Wim Wender's film 'Alice in the Cities'. Brown has used screen printing techniques to create the poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Essi Kimpanyaki has designed a poster for the film 'Kapurush'. To create the poster Kimpanyaki has used screen printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.

This poster advertised a Glasgow School Of Art fashion show that ran from the 24th to the 29th April 1978. Tickets for this event were priced at £1 and could be purchased from the registrar's office at The Glasgow School Of Art as well as The Design Centre on St Vincent Street. This particular print is number five of ten editions.

This poster advertised an event to mark the retirement of Robert Begg which took place on the 31st of May 1975. Begg was on the Board of Governors for The Glasgow School of Art between 1970 and 1975. The poster was designed and printed by Bob Stewart, who was a senior lecturer in design at this point.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Oliver Pitt has designed a poster for the James Marsh film 'Wisconsin Death Trip'. The poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Tu Lang has designed a poster for the Richard Linklater film Slacker. Lang used photo-lithography techniques to create the poster.

This poster advertised a retirement dinner for Lennox Paterson. Paterson worked at The Glasgow School Of Art between 1964 and 1979, occupying various roles including Head of Design and Deputy Head of the school. He was highly regarded for his wood engravings of animals and the poster features elements of this style. The event was held in the Bourdon Hall at The Glasgow School Of Art on the 20th of December 1979. The poster was designed and printed by Bob Stewart who was a senior lecturer in printed textiles at this time.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Janine Shaw has designed a poster for the Barney Platts-Mills film 'Bronco Bull Frog'. To create the poster Shaw has used collagraph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Mi Lin has designed a poster for the Jean Luc-Godard film Vivre Sa Vie. Lin has used screen printing techniques to create this poster.

This poster advertised a lecture by Thomas Joshua Cooper which was organised by The Glasgow School Of Art's graphic design department. Cooper works at The Glasgow School Of Art as head of fine art photography and is regarded as an authoritative figure in his field. The talk was held in the Mackintosh Lecture Theatre within The Glasgow School Of Art on Friday the 29th of October 1993.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Kim Diamond has designed a poster for Jack Clayton's 1967 film 'Our Mother's House'. Diamond has used screenprinting and collage techniques to create the poster.

This poster advertised a farewell dinner held for the retirement of Kath Whyte. Whyte taught in The Glasgow School of Art's textile department from 1949 to 1974 and was highly regarded for her work in embroidery and weave.The event took place in the Newbery Tower on the 12th of June 1974. The poster was designed and printed by Robert Stewart who produced a number of the posters in The Glasgow School Of Art's poster collection. Stewart was acting Head Of Design in 1974.

This poster advertised the retirement party of William Drummond Bone which was held in the Mackintosh Board Room on the 12th of January 1973. Bone was part of both The Royal Society of Arts and The Royal Scottish Society of Painters in Watercolour and taught drawing and painting at The Glasgow School Of Art between 1934 and 1973. The poster was designed and printed by Robert Stewart who was a senior lecturer in design at this time.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Grace Gallacher has designed a poster for the Adam Curtis documentary 'Century of the Self: Happiness Machines'. The poster has been created using screen printing techniques.

This poster advertised a lecture given by architecture critic Rayner Banham which was held in the Haldane Building on the 21st of February 1962. Banham was also a prolific writer and is best known for his theoretical treatise 'Theory and Design in the First Machine Age' (1960) and for his book 'Los Angeles: The Architecture of Four Ecologies' (1971). The poster states "Come on babey, do the mega structure" which is a pun on the 1962 pop song 'Loco-Motion' by Eva Boyd.

This poster advertised a lecture given by illustrator and animator Bob Godfrey, as part of the Distinguished Lecture Series. Godfrey is known for his cartoons such as Roobarb, Noah and Nelly and Henry's Cat. The lecture was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art and was open to the public. The poster was designed by Mick Manning and Jimmy Murray Illustration/ Graphic Design. It was printed at M&M Press Ltd.

This poster advertised a retirement party arranged in honour of David A. Donaldson. Donaldson grew up in Coatbridge near Glasgow. He received a place at The Glasgow School Of Art at the age of fifteen despite having no formal qualifications and went on to become the head of drawing and painting in 1967. He was recognised for his portraiture, notably his portrait of Queen Elizabeth the Second in 1967. Donaldson remained at The Glasgow School Of Art until his retirement in 1981. The retirement party was held in The Glasgow Art Club on Bath Street in Glasgow on the 24th of June 1981. The poster was printed by Bob Stewart who was head of design at The Glasgow School Of Art at this time.

This poster advertised a debate which dealt with the positive and negative aspects of studying at The Glasgow School Of Art which was held in the Mackintosh Lecture Theatre on the 8th of December 1976. Speaking for the school in the debate included Roger Hoare, Mike Roschlau, Tom Lyden and Vladimir Soukoup. Speaking against were Dugald Cameron, Julian Gibb, Colin McNaught and Jim Cathcart. Harry J. Barnes was the chairperson. The poster states: "The Motion: This house believes that this art school creates no prospects, no jobs, no firm conclusions, no hopes, few aspirations, little money, nothing but nostalgia..." The poster was printed by Bob Stewart who was a senior lecturer in design at The Glasgow School Of Art at this time.

This poster advertised a seminar lead by Dr. John McHale which focused on a theme entitled "The Future Of The Future". He did this seminar three times, twice at The Glasgow School Of Art on the 4th and 5th of November and once at The University Of Strathclyde on the 4th of November 1976. McHale was the Director of the Centre for Integrative Studies and School of Advanced Technology for the State University of New York. He is credited as the founder of the Independent Group, a London based artistic movement which kickstarted British Pop Art. Members of the group included Richard Hamilton, Eduardo Paolozzi, and architects Alison and Peter Smithson. The poster was designed and printed by Bob Stewart, who was a senior lecturer in textile design at this time.

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'.

This poster advertised a lecture by Richard Smith which was held in the Haldane Building at The Glasgow School Of Art. The poster was designed and printed by Jimmy Cosgrove who worked as a senior lecturer in the textiles department at this time.

This poster advertised a concert by the eccentric jazz musician George Melly which was held in the Bourdon Assembly Hall on Tuesday the 3rd of March 1981. Another poster advertising a George Melly concert at The Glasgow School Of Art in 1992 can be found under the reference number GSAA/EPH/10/30.

This poster advertised a lecture given by Lily Greenham who was known for her concrete and sound poetry. The lecture was held in the Haldane Building at The Glasgow School Of Art.

This poster advertised a lecture given by the German architect Herman Hertzberger. Hertzberger is widely considered to be one of the influences behind the Dutch Structuralist movement of the mid 20th century. The lecture was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus on the 20th of February 1975.

Poster for screening of 'Daisies', a film by Vera Chytilova at the Bourdon Lecture Theatre. Date of screening was 29 Oct, year unknown but believed to be late 20th century. Note that 'Chytilova' is spelt 'Chitilova' on the poster.

This poster was used to advertise The Glasgow School Of Art's annual activities week. A number of events were organised including: films, lectures, poetry, jazz folk, drama, contests, disco, a bar in the Haldane building, dance art, a drag talent show and a snooker competition. Activities week ran annually from the 1970s until the mid 1980s. During this week, classes stopped and various events were organised instead. The poster is annotated on the reverse with "J.Cosgrove".

This poster advertised a lecture given by Lily Greenham who was known for her concrete and sound poetry. The lecture was held in the Haldane Building at The Glasgow School Of Art.

Poster for lecture 'Artificial Horizon and Eccentric Ladders' by Eduardo Paolozzi at the Glasgow Film Theatre, 27 Apr 1995. Paolozzi published a book of the same title the following year.