The Magazine: Volume 3 (Page 55)
- MC/A/15/3/p55
- Part
- Nov 1894
The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 58)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 61)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 64)
The Magazine: Volume 3 (Page 65)
The Magazine: Volume 3 (Page 66)
The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
The Magazine: Volume 3 (Page 69)
The Magazine: Volume 3 (Page 7)
The Magazine: Volume 3 (Page 70)
The Magazine: Volume 3 (Page 8)
The Magazine: Volume 3 (Page 9)
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie