The Magazine: Volume 1 (Page 23)
- MC/A/15/1/p23
- Part
- 1893
The Magazine: Volume 1 (Page 23)
The Magazine: Volume 1 (Page 22)
The Magazine: Volume 1 (Page 21)
The Magazine: Volume 1 (Page 20)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 19)
The Magazine: Volume 1 (Page 18)
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 16)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 14)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 1)
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Portrait of Margaret Macdonald Mackintosh
Portrait of Margaret Macdonald sitting in high back (dating from 1899). Creator unkown, though possible Annan.
*Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 6)
Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 5)
Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 4)
Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 3)
Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 2)
Not available / given
Model of Concert Hall, Glasgow International Exhibition (Version 1)
Not available / given
Menu for Miss Cranston's exhibition cafe, The White Cockade
The design lists the principal suppliers used by Miss Cranston in her exhibition cafe. The right hand side of the design features a stylised female figure holding a red rose.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Design for a Glasgow School of Art Club 'Programme'
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.
Mackintosh, Margaret Macdonald