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Designed for the Ingram Street Tea Rooms, Glasgow. 'One of the sturdiest and most successful small chairs designed by Mackintosh. The chair was used in the Chinese Room in the late 1940s but there is no record of it being specifically designed for it.' (Roger Billcliffe). The two chairs in the Museum of Modern Art collection (NY) originally belonged to GSA and were donated in 1958 by then director, Douglas Percy Bliss. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).

Architectural detail of Mackintosh Building.

Wooden backing board for Windyhill Designs with Mackintosh's address and other exhibition and shipping labels.

From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.

Portrait of Mackintosh as an old man, sitting side-on.

Portrait of Mackintosh as an old man, wearing a cape and cap.

Portrait of Mackintosh as an old man, smoking a pipe.

Portrait of Mackintosh as an old man, seated side-on, holding a pipe in his left hand.

Portrait of Mackintosh as an old man, hand on chin.