Plaster cast of Sarcophagus of Giustina (Version 3)
- PC/036A/v3
- Part
- Mid 19th century-early 20th century
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Plaster cast of Sarcophagus of Giustina (Version 3)
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Plaster cast of sculptural fragment of a foot
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*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus
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Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 1)
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*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 2)
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*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 3)
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Plaster cast of section of cornice with bands of ornament
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Ornament including bands of egg and darts enrichment.
*Not available / given
Plaster cast of section of entablature
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Entablature with egg and dart enrichment and a series of small masks.
*Not available / given
Plaster cast of section of frieze with foliage and decorated borders
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*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti
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Original: Tullio Lombardo, c1851. Venice, Italy. Annotated ""Tullio Lombardo." and "205".
*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti (Version 1)
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Plaster cast of section of pilaster with vase, foliage and putti (Version 2)
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Plaster cast of section of pilaster with vase, foliage and putti (Version 3)
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Plaster cast of shoulder muscle
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Annotated "D.M.T" on reverse (painted).
*Not available / given
Plaster cast of shoulder muscle (Version 1)
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Plaster cast of shoulder muscle (Version 2)
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Plaster cast of shoulder muscle (Version 3)
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Plaster cast of shoulder muscle with neck and arm muscle structure
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*Not available / given
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Original: Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite. One of the most copied sculptures of all time. Arms are 17th century replicas. Thought to be an Athenian copy from the first century B.C. of a bronze original derived from the type of the Cnidian Venus of Praxilities (by one of the ones of immediate followers of Cnidian). Original currently in the collection of the Uffizi, Florence, Italy.
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Original: Poets’ Corner, Westminster Abbey, London, UK.
*Not available / given
Plaster cast of Spinelli family coat of arms on octagonal panel
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Plaque showing coat of arms with two sides. Original: Brunelleschi. Basilica di Santa Croce, Florence, Italy.
*Not available / given
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 1)
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Plaster cast of Spinelli family coat of arms on octagonal panel (Version 2)
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Plaster cast of Standing Discobolus (Discophoros)
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Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.
Plaster cast of Standing Discobolus (Discophoros) (Version 1)
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Plaster cast of Standing Discobolus (Discophoros) (Version 2)
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Plaster cast of standing putto
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Small putto statue supported by tree stump.
*Not available / given
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Stele in two parts; one with point and ornamented with fluting, the second with two flowers carved in relief. Original: The Temple of Thesius, Athens, Greece. Annotated with illegible lettering.
*Not available / given
Plaster cast of stele (Version 1)
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Plaster cast of stele (Version 2)
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Plaster cast of stele (Version 3)
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Plaster cast of stele (Version 4)
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Plaster cast of stele with decorative strapwork
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Stele with strips or ribbons of ornamentation. Annotated with "7".
*Not available / given
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Sir Hamo Thornycroft, 1881. The champion Greek archer Teucer was one of the heroes of Homer's story of the Trojan War. Original currently in the collection of Tate Britain, London, UK.
Plaster cast of Teucer (Version 1)
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Plaster cast of Teucer (Version 2)
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Plaster cast of Teucer (Version 3)
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Plaster cast of the Belvedere Apollo (also called Pythian Apollo)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.
Plaster cast of the Dead Christ Tended by Angels
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Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.
*Not available / given
Plaster cast of the Dead Christ Tended by Angels (Version 1)
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Plaster cast of the Dead Christ Tended by Angels (Version 2)
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Plaster cast of the Dying Slave
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the Pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of the Dying Slave (Version 1)
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Plaster cast of the Dying Slave (Version 2)
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Plaster cast of the meeting of St Francis and St Dominic
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Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
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Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
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Plaster cast of the meeting of St Francis and St Dominic (Version 1)
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Plaster cast of the meeting of St Francis and St Dominic (Version 2)
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Plaster cast of the meeting of St Francis and St Dominic (Version 2)
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