- TSW/87
- Item
- c1970s-1980s
Blue board with six 90 mm square cards showing different colour and weave effects in shades of cyclamen pink with threads of blue, green, yellow and lilac.
Dobbie, Linda
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Blue board with six 90 mm square cards showing different colour and weave effects in shades of cyclamen pink with threads of blue, green, yellow and lilac.
Dobbie, Linda
Four sample weaves on card. One in shades of blue with orange and peach threads, another predominantly orange with blue. One with bands of striped woven sections. Final sample has mustard, dark pink, green and yellow bands of colour with open weave sections with decorative semi-circular buttons in gold and black.
Cunningham, Lin
Plain weave sample woven with coarse woollen yarn in shades of grey, orange, and purple. Supplementary wefts of loosely spun thick woollen yarn in shades of purple, orange and cream is used to create a pattern of raised diagonal blocks.
Carmichael, Catherine
Double-faced, tightly woven woollen sample with checkered design of criss-crossed vertical and horizontal bands in different shades of red, orange, yellow, pink, green, blue and purple.
Sinclair, Christine
Plain weave sample woven in shades of brown forming a design of puckered vertical bands and supplementary discontinuous wefts made of fabric ribbons in different colours. With loose supplementary warps and wefts in a variety of colours on the reverse.
Crossan, Kathryn
Cream-coloured woollen sample woven in different weaves (plain weave, basketweave, satin weave) that form bands. With supplementary loosely spun woollen wefts.
Reid, Linda
Double-faced woolen fabric in shades of claret, red, blue, orange and brown. Geometric design of bands of different weaving patterns and colour combinations.
MacFarlane, Kathryn
Tightly woven fabric with light brown and claret on the warp, and orange, yellow, blue and dark brown weft threads. Regular bands of different weaving patterns in a repeat pattern form distinct colourful stripes.
Horn, Jean
Woven sampler of geometric design with different types of textile weaves (plain weave, twill, satin, and others) in fine red, pink, light blue, light purple, and red bouclé yarn.
Horn, Jean
Loosely woven fabric with organza ribbons in shades of blue, purple, light green and rose pink. Four distinct bands within the design, sections edged with tightly woven cream warp threads, similar to selvedge.
McConnachie, Pauline
Double-faced woven sample in fine red, white, and blue and yellow bouclé yarn forming a pattern of stripes. It has a related label with the text: "Exhibition at the 1st European Special Congress on Textile Training and Textile Culture in Europe 1990, City Hall Kehl on the Rhine and the Centre of Culture Strasbourg, Nendorf 1-4th October 1990."
Blackwood, Jilli
Two faced sample with ribbons of scrap fabric (including striped printed material) in shades of grey, cream, biege, purple and green gold. Reverse with orange warp threads and gold and purple weft.
Blackwood, Jilli
Open weave with diamond pattern in light blue lurex yarn.
Carnie, Bruce
Tightly woven single-faced fabric with black warp threads, and wefts in shades of blue, teal, purple, brown, grey and pink. Weft threads are lusterous and may be silk. Geometric design with chevrons, diamonds and other repeats in bands of pattern in a grid like format.
*Not available / given
Weaving sample made with warps consisting of green cords and fine orange cotton thread, and wefts of light green leather ribbons and strings of brown beads. It also has supplementary feathers. Warps and wefts are woven in sections of tightly woven or open weave vertical bands.
*Not available / given
Weaving sample made with warps consisting of green cords and fine orange cotton thread, and wefts of green leather ribbons, as well as supplementary strings of silver-coloured beads. Warps and wefts are woven in sections of tightly woven or open weave vertical bands.
*Not available / given
Open weave sample in a gradation of blue colour, from light blue to dark blue. The central design is a female figure, woven with supplementary wefts. Warps have been knotted and left long as fringe.
*Not available / given
Closely woven cotton fabric with printed warp threads and jagged design of subtle gradations in colour from orange through to red, blue, green to orange again. Second section with contrasting weft colours and regular pale yellow wefts giving a striped effect in shades of orange, pink, green and blue. Thicker cream coloured yarn has been introduced to form a line and zig zag geometric design over the coloured weave. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream coloured fabric, presumed to be a cotton mix, with yellow coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
Part of Papers of Margaret Elizabeth Galt, student of Glasgow School of Art, Scotland
Samples of fabric designs woven in wool and coarse linen, presumably by Margaret Elizabeth Galt.
Galt, Margaret Elizabeth
Weaving certificate of Robert C. Lockhart
Part of Records of Donald Brothers Ltd, linen, canvas and furnishing fabric manufacturers, Dundee, Scotland
A weaving certificate awarded to Robert C. Lockhart by the Glasgow Technical College Weaving Branch for "excellence after two sessions".
Glasgow and West of Scotland Technical College
3 multicoloured weave samples, mounted on one sheet of card.
Cameron, Dugald
3 multicoloured samples of weaving, mounted on one sheet of card.
Cameron, Dugald
Printed tea towel of the Waltzing Waters with description and illustration of the show, in green, blue, yellow and pink on white background.
Chalmers, Sylvia
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
Wall hanging depicting Hebridean village
Wall hanging, L-R design shows street of houses with mountains behind, church, trees, stone cross, cows and shore with moon.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Lounsbach, Eric
Woven wall hanging in plain weave with black yarn and loose supplementary warps and wefts in yellow, orange, red, green and black thinner yarn and ribbons of black plastic (possible bin bags). These supplementary warps and wefts form two vertical bands with a puckered effect. The warps are knotted and left long as fringes.
*Not available / given
Green pelmet with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green pelmet with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
Newbery, Jessie Wylie
Red apron with pestle and mortar, bottle of wine, and selection of assorted vegetables in green, yellow and white.
Chalmers, Sylvia
‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.
Tihngang, Kialy
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster shows a photograph of a man in make up smoking a cigarette.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Nine designs attached to one piece of paper. Mostly designs for borders and details.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: one design for a border; one design detail; one larger, predominantly red design.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: Two of which are Paisley pattern like the rest of the collection, but one is a floral rug design.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper: one maroon; one comprising reds, greens and blues.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Five designs attached to one piece of paper, featuring yellows, turquoise and maroon.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Predominantly based on maroons and pinks.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Mostly on black or dark backgrounds.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper, including turquoises and pinks.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks and reds. Annotated "No 73".
*Not available / given