Collection PC - Plaster Casts

Antinous (Version 1) Antinous (Version 2) Antinous (Version 3) Apoxyomenos (Vatican Apoxyomenos) Augustus of Primaporta (Version 1) Augustus of Primaporta (Version 2) Augustus of Primaporta (Version 3) The Belvedere Apollo (also called Pythian Apollo) Hebe Apollo Sauroctonos (Lizard Slayer) (Version 1) Apollo Sauroctonos (Lizard Slayer) (Version 2) Apollo Sauroctonos (Lizard Slayer) (Version 3) Apollo Sauroctonos (Lizard Slayer) (Version 4) Apollo Sauroctonos (Lizard Slayer) (Version 5) Canephora (Kanephoros) (Version 1) Canephora (Kanephoros) (Version 2) Canephora (Kanephoros) (Version 3) Charioteer of Delphi (Version 1) Charioteer of Delphi (Version 2) Charioteer of Delphi (Version 3) Charioteer of Delphi (Version 4) Charioteer of Delphi (Version 5) Charioteer of Delphi (Version 6) Crouching Discobolos Germanicus (Marcellus) (Version 1) Germanicus (Marcellus) (Version 2) Germanicus (Marcellus) (Version 3) Germanicus (Marcellus) (Version 4) Germanicus (Marcellus) (Version 5) Germanicus (Marcellus) (Version 6) Germanicus (Marcellus) (Version 7) Germanicus (Marcellus) (Version 8) Germanicus (Marcellus) Hermes of Praxiteles (Hermes and the Infant Dionysus) Laocoon and his Sons Laocoon and his Sons (Version 1) Laocoon and his Sons (Version 2) Laocoon and his Sons (Version 3) Mercury (Version 1) Mercury (Version 2) Mercury (Version 3) Mercury (Version 4) Nike of Samothrace (Winged Victory) (Version 1) Nike of Samothrace (Winged Victory) (Version 2) Nike of Samothrace (Winged Victory) (Version 3) Nike of Samothrace (Winged Victory) (Version 4) Parthenon Frieze Parthenon Frieze (Block XL from the North frieze) Parthenon Frieze Parthenon Frieze (South Frieze XLIV)
Results 1 to 50 of 262 Show all

Key Information

Reference code

PC

Title

Plaster Casts

Date(s)

  • Mid 19th century-early 20th century (Creation)

Level of description

Collection

Extent

247 Items

Content and Structure

Scope and content

Collection of plaster casts comprising human figures, architectural fragments, plaster friezes, plaster reliefs, marble reliefs, tondos and busts.

Casts were used as an important teaching aid by the School, from the late 19th century onwards. The casts are generally based on classical statuary and were originally sourced from Greek, Roman and later Italian and medieval periods. Whilst not totally unique (most art schools in the UK and across Europe owned their own collections, purchased from established suppliers in London, Paris etc.), their continued existence within their original setting gives them an added significance. Importantly, the Glasgow School of Art's photographic archive contains many period images of how these casts have been used by staff and students since they were first introduced.

The majority of GSA's plaster cast collection was located in the School's Mackintosh Building at the time of a fire in the building on 23rd May 2014. As result the majority of the collection suffered damage, of varying degrees, and all casts were subsequently surveyed by a conservator. Six casts were lost in the fire and eleven larger casts have undergone remedial conservation in 2016-17. The remaining casts will undergo cleaning before they are repositioned around GSA's campus during 2019.

Appraisal, destruction and scheduling

Accruals

System of arrangement

General Information

Name of creator

(Not available / given)

Biographical history

Archival history

Custodial history

Various manufacturers in Paris, London etc., including D. Brucciani & Co., and based on originals at, for example, Capitoline, Rome Italy;  Vatican, Rome; Uffizi, Florence, Italy; Louvre, Paris; British Museum, London; Delphi Archaeological Museum, Greece; Archaeological Museum of Olympia, Greece; Parthenon, Greece; Staaliche Museum, Berlin, Germany; Chatres Cathedral, France; Museo Nazionale del Bargello, Florence; Medici Chapel, Florence, Italy; Onze Lieve Vrouwekerk, Bruges, Belgium.

Physical Description and Conditions of Use

Conditions governing access

Glasgow School of Art Archives and Collections are open for research by appointment. For further details, please refer to our Access Policy @ https://gsaarchives.com/policies

Conditions governing reproduction

Application for permission to reproduce should be submitted to The Archives and Collections at The Glasgow School of Art.

Reproduction subject to usual conditions: educational use and condition of material.

For further details, please refer to our Reprographic Service Guide @ https://gsaarchives.com/policies

Language of material

Script of material

Language and script notes

Physical Description

Plaster, wood, marble.

Finding aids

Related Material

Existence and location of originals

Existence and location of copies

Related materials

If you would like further information about the casts at Glasgow School of Art in the archives centre see:

  • Catalogue of Books, Casts etc. of the School of Ornamental Art, Glasgow’, 1849, the earliest source of casts were owned by the school (GSAA/GOV/7/1)
  • Lending Scheme’, dates some pieces that have been smashed with a running total of costs, 1914-1940 (GSAA/ISE/4/7)
  • Catalogue casts for schools’, a brochure of casts which can be purchased, 1922 (GSAA/ISE/5/8)
  • Catalogue of Plaster Casts’ lists a small number of pieces in the school, including ones that have been smashed from 1939 (GSAA/ISE/5/7)
  • Inventory of Casts’, 1953 (GSAA/ISE/5/12)
  • Inventory and Valuation 1964/1965’, an inventory of all the moveable contents at Glasgow School of Art (GSAA/GOV/7/5)

For further information about casts, classical architectural and classical sculpture, the following publications were used as a source for the catalogue:

  • Summerson, J. The Classical Language of Architecture, (Thames & Hudson, 1983 ed.)
  • Haskell, F & Penny, N. Taste and the Antique: The Lure of Classical Sculpture 1500-1900,  (Yale University Press, 1981 ed.)
  • Also search for other cast collections in art schools and institutions around the UK, many have informative websites

Notes area

Note

Collection Historical Note

In the nineteenth century, drawing was the foundation stone for all of Glasgow School of Art's courses. Students were encouraged to spend weeks perfecting their skills by drawing the 'ideal forms' of the cast collection; which are a mixture of figures, animal and architectural representations.

Throughout the second half of the 19th century (the school was established in 1845) and the early 20th century the school regularly bought plaster casts, similarly to most art schools across Europe. These were bought from manufacturers who would produce life size and scale replicas of the original sculptures and reliefs.

The majority of the purchases that can be attributed at Glasgow School of Art are from D.Brucciani, Ltd who offered casts of Greek and Roman ornament alongside those of works from the Byzantine, Gothic and Renaissance periods, and who also worked for The British Museum and the Victoria & Albert Museum.

Glasgow School of Art’s archives (including inventories, studies by students, photographs and governors books) provide an insight into the previous life of the casts; where they were stored, who used them and how much vaster the collection was in its heyday. The earliest inventory of the collection was in 1849, from which a small number of current casts can be identified including a cast of Michelangelo’s ‘Dying Slave’ (First Floor). Further inventories note additions to the collection though not all records can be identified as singular pieces of the collection as general descriptions mean they could be recording any number of pieces.

The current collection held by the school is spread over several buildings, though is primarily held in the Mackintosh Building; which is primarily large statues lining the corridors, and fragments of architectural ornament mounted on the walls and on shelves, and a small number of animals and statuettes. Most figurative sculpture casts are of Classical and Hellenistic styles, the former of strong stature but displaying naturalistic poses and the later becoming more realistic rather than depicting people as the pinnacle of beauty and perfection. However, there are also examples of later Gothic styles such as cast of an Archbishop (Basement corridor), which is of secular origin and expressive in form. There is a greater variety of styles in the architectural fragments which range from the strict classical orders to the expressive renaissance and baroque relief sculpture.

The casts were cleaned and conserved from 2008 to 2010. Many of the casts, particularly the full sized ones, had previously been painted to retain a purity of colour (so form could be concentrated on) which was not removed in case of any further damage. In 2014 the catalogue for the casts was updated; adding photographs and additional information to pre-existing records.

Alternative identifier(s)

Keywords/Tags

Place access points

People and Organisations

Genre access points

Administrative Information

Description identifier

GB 1694 PC

Institution identifier

GB 1694

Rules and/or conventions used

ISAD(G): General International Standard Archival Description - Second edition

Status

Level of detail

Processing information

  • Descriptions updated and images uploaded by Penelope Hines, University of Glasgow student placement, 2014.
  • Catalogue imported to Archon software and updated by Michelle Kaye, Archon Project Officer, April 2014.
  • Catalogue exported from Archon and imported into AtoM during system migration, 2018-2019.

Language(s)

  • English

Script(s)

Sources

Archivist's note

Finding Aid Authors: The Glasgow School of Art Archives and Collections.

Archivist's note

© Copyright 2014 GSA Archives. All rights reserved.

Accession area

Related subjects

Related people and organisations

Related genres

Related places