Series MC/P - Photographs

Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of James Herbert MacNair Portrait of Margaret Macdonald Mackintosh Interior of Hous'hill, Glasgow - the blue bedroom Interior of Hous'hill, Glasgow - the blue bedroom Portrait of Margaret Macdonald Mackintosh (Version 1) Portrait of Margaret Macdonald Mackintosh (Version 2)

Key Information

Reference code

MC/P

Title

Photographs

Date(s)

  • c1893-1920 (Creation)

Level of description

Series

Extent

Content and Structure

Scope and content

Photographic portraits of Mackintosh and associated individuals.

Appraisal, destruction and scheduling

This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.

Accruals

System of arrangement

General Information

Name of creator

(1878-1972)

Biographical history

Emil Otto Hoppé (1878-1972) was one of the most important art and documentary photographers of the modern era whose artistic success rivaled those of his peers, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) and Walker Evans (1903-1975). Hoppé was one of the most renowned portrait photographers of his day, as well as a brilliant landscape and travel photographer. His strikingly modernist portraits describe a virtual Who’s Who of important personalities in the arts, literature, and politics in Great Britain and the US between the wars. Among the hundreds of well-known figures he photographed were George Bernard Shaw, H.G. Wells, A.A. Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Leon Bakst, Vaslav Nijinsky and the dancers of the Ballets Russes, and Queen Mary, King George, and other members of the Royal Family. Beginning art photography in 1903 Hoppé was admitted as a member of the Royal Photographic Society where, over the next four years, he regularly exhibited his amateur photographic works. In this same year Hoppé was also associated with The Linked Ring Brotherhood and fellow members Alvin Langdon Coburn, Henry Peach Robinson (1830-1901), and George Davidson (1854-1930), who played an important role in international art photography, maintaining close ties with continental and American groups including the Vienna Camera Club and the Photo Secession, New York.

Archival history

Custodial history

Physical Description and Conditions of Use

Conditions governing access

Conditions governing reproduction

Language of material

Script of material

Language and script notes

Physical Description

Finding aids

Related Material

Existence and location of originals

Existence and location of copies

Related materials

Related descriptions

Notes area

Alternative identifier(s)

Keywords/Tags

Place access points

People and Organisations

Genre access points

Administrative Information

Description identifier

GB 1694 MC/P

Institution identifier

GB 1694

Rules and/or conventions used

ISAD(G): General International Standard Archival Description - Second edition

Status

Level of detail

Processing information

Language(s)

Script(s)

Sources

Accession area