Stele in two parts; one with point and ornamented with fluting, the second with two flowers carved in relief. Original: The Temple of Thesius, Athens, Greece. Annotated with illegible lettering.
Venus with missing arm, supported by branch with cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucc...
Original: Phidias, 400 BC. Marble. Possibly from Erectheion, the temple dedicated to Athena on the Acropolis. Stylised forms of nature. Athens, Greece.
Original: Possibly a cast of a copy after John Hennings miniature carvings of the frieze using the Parthenon Marbles and sketches made prior to the acropolis explosion.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: Sir Hamo Thornycroft, 1881. The champion Greek archer Teucer was one of the heroes of Homer's story of the Trojan War. Original...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: Also known as: Antique Boxers, Grecian Boxers, La Lotta, Lottatori. Roman Wrestlers Roman marble sculpture after a lost Greek origin...
Original: Also known as: Discobolus, Fighting Gladiator, Hector, Heros Combattant, Borghese Gladiator. Particularly admired for its truthful rendering of anatomy. A Hellenistic sculpture actually portraying a swordsman, created at Ephesus about 10...
Original: Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite. One of the most copied sculptures of all time. Arms are 17th century replicas. Thought to be an Athenian copy from the first century B.C. of a bronze original de...
Original: Also known as: Venere nel bagno, Venere nella conchiglia. Likely to be a Roman adaptation of Doidalses' Crouching Aphrodite (a lost Greek original from the 3rd century BC). Original currently in the collection of the Louvre, Paris, ...
Original: Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera at Olympia. It is traditionally attributed to Praxiteles and dated to the 4th century BC. 3/4 size sculpture. Original currently in t...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Roman...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Roman...
Original: Shows the battle between Centaurs and Lapiths at the marriage-feast of Peirithoos. Original: Phidias, c442 BC. Marble. Parthenon, Athens, Greece. Currently in the collection of the British Museum (Part of ‘The Elgin Marbles’).
Original: Figure from east pediment of the Parthenon. Acropolis, Athens, 447-432 BC. Original currently in the collection of the British Museum, London, UK.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: Figures from the east pediment of the Parthenon depicting the birth of Athena. The Acropolis, Athens, Greece, about 438-432 BC. The ...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by St...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in...
Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipy...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the secon...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: A second century BC marble sculpture of the Greek goddess Nike (Victory). Discovered in 1863, on the island of Samothrace. Thought t...
Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It unde...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: The Discobolus of Myron is a famous lost Greek bronze original that was completed towards the end of the Severe period, c460-450 BC....
Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element ...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: The life-size bronze statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi and is also known as Heniokho...
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by t...