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God Bless the Men...

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Decorative panel with lettering: Script reads: God Bless The Men That Build The Ship/Tis Not For Wages/Only That They/Labour But To Save/Men&#...

Craig, Ailsa

Portrait of John Keppie

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Glasgow architect, John Keppie. Signed lower left: To my friend John Keppie/Maurice Greiffenhagen 1917.

Greiffenhagen, Maurice

A Cord, Walberswick

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The Ferry on the River Blyth, Walberswick, Suffolk. The subject is the ferry at Walberswick in Suffolk where Newbery and his family spent many...

Newbery, Francis Henry

Seated nude

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of full-length female nude.

Greiffenhagen, Maurice

Standing nude

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of seated nude (female) model.

Greiffenhagen, Maurice

Eve

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study after Titian's 'The Fall of Man', c1570. The Titian original is held in the Prado collection, Madrid.

McGlashan, Archibald A

Museum, The Glasgow School of Art

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated inter...

Anderson, Elizabeth

Fairies

Mackintosh's style here is the closet he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.

Mackintosh, Charles Rennie

Leaf of Gold

In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s e...

MacNair, James Herbert

The Descent of Night

Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her out...

Mackintosh, Charles Rennie

Autumn

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and...

Mackintosh, Charles Rennie

A Pond

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce '...

MacNair, Frances Macdonald

Cabbages in an Orchard

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even ...

Mackintosh, Charles Rennie

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