- MC/G/20
- Item
- 1924-1927
Mackintosh, Charles Rennie
Showing 28 results
Archival description 
- MC/G/21
- Item
- 1927
Mackintosh, Charles Rennie
- MC/G/19
- Item
- 1920
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most...
Mackintosh, Charles Rennie
- MC/G/16
- Item
- 1918-1920
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
- MC/G/17
- Item
- 1920
The wavy pattern in the background is very similar to some of the most abstract designs for textiles for which Mackintosh was producing at this time.' (Roger Billcliffe).
Mackintosh, Charles Rennie
- MC/G/18
- Item
- 1920
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature styl...
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
- MC/G/56B
- Item
- c1914
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, &...
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
- MC/G/56A
- Item
- c1914
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, &...
Mackintosh, Charles Rennie
- MC/G/15
- Item
- 1915
Mackintosh, Charles Rennie
- MC/G/14
- Item
- 1914
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
- MC/G/13
- Item
- 1898
Mackintosh's style here is the closet he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
- MC/A/7
- Item
- 1898
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s e...
MacNair, James Herbert
Roof of Napton Church, Norfolk
- MC/G/12
- Item
- 1897
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
- MC/A/5
- Item
- 1896
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
The Nativity ('And lo the star...')
- MC/A/6
- Item
- 1896
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
- MC/G/11
- Item
- 1895-1896
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
- MC/G/10
- Item
- 1895
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
- MC/G/8
- Item
- 1895
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' h...
Mackintosh, Charles Rennie
- MC/G/9
- Item
- 1895
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
- MC/G/3
- Item
- 1894
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her out...
Mackintosh, Charles Rennie
- MC/G/6
- Item
- 1894
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and...
Mackintosh, Charles Rennie
- MC/A/3
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce '...
MacNair, Frances Macdonald
- MC/G/4
- Item
- 1894
From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even ...
Mackintosh, Charles Rennie
- MC/A/4
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
- MC/G/5
- Item
- 1894
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
- MC/G/7
- Item
- 27 Aug 1894
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
- MC/G/2
- Item
- 1892
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
Blind Window, Certosa di Pavia
- MC/G/1
- Item
- 1891
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie