- MC/P/32
- Item
- c1904
Bedford Lemere & Co
2056 results directly related Exclude narrower terms
Bedford Lemere & Co
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion show of printed dresses with hanging fabric backdrop. Colour photograph, portrait.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion show of garments shown in DC 089/1/3/13. Black and white photographs, portrait format.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion show of garments shown in DC 089/1/3/13. Black and white photographs, portrait format.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Student fashion show in Mackintosh Lecture Theatre. Model in transparent black dress. Mackintosh mirror visible. Colour photograph.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion show of printed dresses shown in DC 089/1/3/17 with hanging fabric and chicken wire backdrop. Black and white gloss photographs, portrait and landscape. 12 photographs.
Taylor, Fraser
Student material by Donald Melvin, student at The Glasgow School of Art, Scotland
A collection of sketches, designs, photographs and lithographs by Donald Melvin completed during his time as a student at Glasgow School of Art in the 1960s.
Includes work carried out as part of courses such as, for example, Interior Design, the History of Furniture, the 2nd Year General Course, the Pre-Diploma /Foundation Course and Woodcarving.
Also includes sketches carried out during GSA summer schools abroad in Florence and in Norway, and materials relating to extra-curricular activities such as photographs of productions staged by GSA Dramatic Club and Christmas ball posters.
Melvin, Donald V
Student material by Lindsay Winning, student at The Glasgow School of Art
A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.
Winning, Lindsay
Student work by Jeanne (Jane) Wilson
A small collection of work in design and ornamentation produced by Jeanne (Jane) Wilson during her time as a student at The Glasgow School of Art from 1930 to 1934. Collection includes:
Wilson, Jeanne
Summer 2008 Pantone and design theory
Part of Papers of C A Wallace Shaw
CD containing images of colour and design theory and Pantone mood-boards for the summer 2008 season. Images are arranged into 3 folders.
Shaw, Wallace
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two models wearing shirts and torn denim in front of painted background. Photograph by Anita Corbin.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Six models wearing T-Shirts, Shirts and torn denim in front of painted background. Screen prints on cotton. Photograph by Anita Corbin.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Launch photo for collection. Reverse caption details. Photography Anita Corbin. Stylist Iain R Webb. Black and white photograph.
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Three models wearing t-shirts, shirts and torn denim in front of painted background. Photograph by Anita Corbin.
Taylor, Fraser
Sunday Market, by Columbus Avenue, New York
Part of 'Buy and Sell'.
Trotter, Robert
Volume III.
Brown, Duncan
Tam Shepherd's Trick Shop, Glasgow
Part of 'Buy and Sell'.
Trotter, Robert
Bedford Lemere & Co
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Teaching aids include collections of prints, photographs, and calligraphy examples.
*Not available / given
Temple del Sagrat Cor, Tibidabo
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Jones, Michael Thomas
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Printed black and white photograph of tenement flats in inverted colours with handwritten notes.
Wilson, Colin
Folder containing 60 black and white photographs depicting terraces and tenements in Glasgow, of various sizes and taken by George Oliver. Some are annotated.
Oliver, George
Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
The collection consists of printed textiles, garments and papers relating to Fraser Taylor's time as an undergraduate student at GSA (1978-1981), a postgraduate student at RCA (1983), and items relating to other professional activities. It also includes examples of textiles and associated ephemera for design collective The Cloth (1983-1987).
Taylor, Fraser
Part of Photographs by David Octavius Hill and Robert Adamson
Hill, David Octavius
Part of 'Buy and Sell'.
Trotter, Robert
Part of 'Buy and Sell'.
Trotter, Robert
Part of 'Buy and Sell', same negative with picture 92 ref no: 34/P66.
Trotter, Robert
Part of 'Buy and Sell'.
Trotter, Robert
Part of 'Buy and Sell'.
Trotter, Robert
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Group photograph for album artwork, in front of printed fabric with figure motif.
Taylor, Fraser
Part of 'Buy and Sell'.
Trotter, Robert
Volume III.
Brown, Duncan
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street), showing the Health Board Headquarters building situated on top of the hill above the coach house.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street). The coach house's layout is on a diagonal position giving the front elevation and the other side elevation a good angle to face the main road traffic.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect focusing on the left side of the front elevation to see what the garages are obscuring.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect focusing on the left side of the front elevation to see the linearity of this side comparing with the pitch-roof on the right hand side.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photos
Cartridge paper sheet including five photos of the coach house taken by the architect focusing on the external view from different angles showing some details such as the junction of the roof, and details of ridge window where the large windows have been boarded up. One of these photos shows the front elevation of the coach house facing the driveway leading to Health Headquarters situated on the top of the hill above the coach house.
Platt, Christopher
The Duncan Brown Photographic Collection
The collection consists of 305 photographs taken between 1853 and 1896. Sitters included local dignitaries, friends and family including John Brown, Queen Victoria's Ghillie. The collection also includes landscapes and the streets of Glasgow, particularly around the Pollokshields area on the south side of the city. Other subjects include ships, ship yards and stately houses.
Brown, Duncan
The English Rose collection catwalk
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Catwalk photograph for The English Rose collection of prints for Betty Jackson. Designed by Brian Bolger. Summer 1985. Black and white photograph.
Taylor, Fraser
The George and Cordelia Oliver Archive
The George and Cordelia Oliver Archive consists of:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Oliver, Cordelia
The Lawns, Student Halls of Residence, University of Hull
Job files, images and drawings related to project.
Gillespie, Kidd and Coia
The Lord Provost Before Her First Parade, Glasgow
Part of 'At Work'.
Trotter, Robert
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Magazine: Volume 1 (Page 1)