Large wooden framed black and white photograph of 15 men, staff and Board members of The Glasgow School of Art, in the grounds of Tarbet Hotel Loch Lomond.  Label at foot of frame reads, "presented by J Arnold Fleming OBE."  Annan and Sons photographers label on verso.  Smaller wooden framed diagrammatic key to photograph of an outing of The Glasgow School of Art staff to Tarbet Hotel, Loch Lomond in 1890. Both behind glass.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features a group of sixteen male and nine female students.

The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.

The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".

The photograph features a group of four female and one male students.

The photograph features eleven female students wearing a variety of outfits. The photograph shows five female names on the reverse.

The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features a close-up shot of Josephine Haswell Miller.

The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".

The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".

The photograph features a male and a female dressed with period clothing.

The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features a close-up shot of Josephine Haswell Miller.

A variety of photographs showing students and staff of The Glasgow School of Art, many of which feature Archibald Haswell Miller during his time as a student and staff at the institution.

The photograph features Archibald Haswell Miller holding a palette.

The photograph features a group of fifteen male and four male students alongside Maurice Greiffenhagen, The reverse of the photograph shows the text "Haswell Miller / Centre back (highlighted) / (c1903) Student at Glasgow School of Art".

The photograph features a man wearing a religious outfit. The reverse of the photograph shows the following text:

"Arch. H Miller Esq.
Mansfield Lodge
Partickhill
Glasgow

Dear old Miller I hope you are enjoying yourself & not working too hard. Convey my respects to Miss Cathcart when
you see her.
A.L. Jackson"

The photograph features a group of ten male students in a painting class, with Archibald Haswell Miller in the centre back.

The item shows two different photographs. The first photograph features Archibald Haswell Miller smoking a pipe in the centre of the image, alongside a group of seventeen male and one female students. The annotations below the photograph inform it was taken at the Academy of Fine Arts of Munich. The text reads "The Marrschule. Munich Akademie 1909. [...] as G.C. with halo hold by Baliut".

The second photograph features John R. Covert sitting in a rocket chair. The annotations on the left hand side show the text "John R. Covert. American faint abstract painter. In Munich 1910". The annotation on the right hand side show the text "Here he is – a malen. Oh see [...] he sits and [...]. He'll paint – perhaps. And perhaps? –".

An annotation on the top right corner of the cardboard shows "1909-10".

The reverse of the cardboard lists the names and background of the nineteen students in the first photograph. It is supported by a map placing the subjects in the photograph.

The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".

An annotation on the top right corner shows "1909-10".

The photograph features Archibald Haswell Miller dressed as a medieval King.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."

An annotation on the top right corner of the cardboard shows "1909".

The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.

An annotation on the top right corner of the cardboard shows "1909".

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".

An annotation on the top right corner of the cardboard shows "1910-12".

The photograph features a group of nineteen female students in an anatomy drawing class.

An annotation on the top right corner of the cardboard shows "1914".

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

A variety of photographs from Georges-Marie Baltus' personal memories featuring landscapes and rural scenes captured during his Italian and Europeans tours.

The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.

The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".

A folder containing 62 black and white photographs of Glasgow people and children, taken by George Oliver and of various sizes. Mostly unidentified. Includes: general street scenes, the Gorbals, Hutchesontown, demolision of tenements, Barrowlands, Ibrox, Glasgow Green, shops, and the Old Fruitmarket. Also includes a leaflet for 'Swing Hammer Swing' Citizen's Company, May 1996.

A number of photographs featuring Sheena Reid and other GSA students.

Folder containing 20 black and white photographs of people in Glasgow, taken by George Oliver and of various sizes. Mostly unidentified. Includes: Barrowlands, Hutchesontown C area with Sir Basil Spence tower blocks, Humphrey Lyttelton performing on stage, and scrap metal collector with horse and cart.

Folder containing 76 black and white photographs of various scenes in Edinburgh, taken by George Oliver and of various sizes. Some annotated. Also contains a newspaper cutting of a picture taken by George of a horse and cart on the Royal Mile. Most date from the period that the Olivers lived in Edinburgh as their Edinburgh address is given on many of the photographs. Includes: Playfair Library, glass houses at the Botanic Gardens, Life Association of Scotland Building, Princes Street, George Street, George Street lane sales, Leith Docks and the New Town.

Folder containing black and white photographs featuring children, taken by George and of various sizes. Some are annotated. Includes: performances at the Third Eye Centre, street scenes and the Scottish Piping Centre.

Folder containing 8 contact sheets and 114 negative strip of photographs taken by George Oliver. Most are annotated.  Although the folder is entitled 'Edinburgh', some of the material is of scenes outwith Edinburgh and of cars. For example: scenes of George's Rolls Royce at Doune, Broughton House and an Albion car dating from 1920. The Edinburgh material includes: Museum of Childhood, Edinburgh University, New Town and George Street lane sales. Some negatives relate to photographs in the previous folder entitled 'Edinburgh Prints'.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Hand-written answers for questions as part of class test during junior non-diploma year at GSA. A drawing in colour pencil of a man and shoes/feet are featured on the back of the page.

Work produced during time on the junior non-diploma course.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

Painting featuring two planes and two men. Trees, buildings and clouds can be seen in the background.

Work produced during first year of general course.

Copy of a classic, Vermeer's 'Woman with a water jug'. Black, white and grey painting.