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This series of cuttings relates to the activities of the School and its pupils from 1864 onwards. They cover all aspects of the School's activities from exhibitions, student events and course advertisements through to job adverts. As well as later loose material, this includes volumes for the following dates: NEW/1/1/1: 1864-1897 NEW/1/1/2: 1897-1907 NEW/1/1/3: 1907-1917 NEW/1/1/4: 1917-1927 NEW/1/1/5: 1927-1932 NEW/1/1/6: 1932-1942 NEW/1/1/7: 1943-1952 NEW/1/1/8: 1952-1960 NEW/1/1/9: 1960-1961 NEW/1/1/10: 1961-1968

This series of cuttings relates to individual staff and students, both present and past, of The Glasgow School of Art from 1968 onwards.

Including:

As Miscellaneous
Sam Ainsley
Thomas Annan
Louise Annand
Mary and William Armour

Bs Miscellaneous
Lesley Banks
Harry Barnes
Rosemary Beaton
Sam Black
Douglas Percy Bliss
R Henderson Blyth
Muirhead Bone
William Drummond Bone
Christine Borland
Neil Dallas Brown
Bill Buchanan
Burrell Collection
Fred Bushe
Pavel Buchler
John Byrne
Eugene Bourdon

Cs Miscellaneous
D. Y. Cameron
Dugald Cameron
Steven Campbell
Eddie Chisnall
Colin Cina
John Clark
Doug Clelland
The Cloth
Emilio Coia
Jack Coia
Hugh Collins
Robert Colquhoun
Robbie Coltrane
Stephen Conroy
Thomas Joshua Cooper
James Cowie
John Creed
William Crosbie
Ken Currie

Ds Miscellaneous
Douglas Davies
David Donaldson

Es Miscellaneous
Joan Eardley

Fs Miscellaneous
Dan and Margaret Ferguson
Hugh Ferguson
Ian Hamilton Finlay
John B Fleming

Gs Miscellaneous
Sandie Gardner
George Garson
James Goodchild
Douglas Gordon
Alexander Goudie
Graven Images
Alasdair Gray
Muriel Gray
Robert Greenlees
Murray Grigor

Hs Miscellaneous
David Harding
Henry Hellier
Tanya Hill
Peter Howson
House for an Art Lover
Kenny Hunter
Gordon Huntly

Is Miscellaneous
Calum Innes

Js Miscellaneous
Edwin Johnston
Tim Jones (Deputy Director)
Tony Jones (Director)

Ks Miscellaneous
Elspeth King
Jessie M King
Jack Knox

Ls Miscellaneous
Sir John Lavery
Liz Lochhead

Macs Miscellaneous
Ian McCulloch
Margaret Macdonald
John MacFarlane
Norman McLaren
Bruce Maclean
Professor Andy MacMillan

Ms Miscellaneous
Lesley Main
Oscar Marzaroli
Mayfest
Chuck Mitchell
John Miller
Sandy Moffat
Leon Morocco
James Morrison
Ishbel Myerscough
Isi Metzstein

Ns Miscellaneous
Bud Neill
Francis and Jessie Newbery

Os Miscellaneous

Ps and Qs Miscellaneous
Agnes Miller Parker
Jacki Parry
Jim Purvis

Rs Miscellaneous
Seona Reid
Cathy Richmond
Willie Rodger
Barbara Rae
Philip Reeves
James Robertson
Michael Roschlau
Jenepher Wendy Ross

Ss Miscellaneous
Jenny Saville
Benno Schotz
Dominic Snyder
Gavin Stamp
Tim Stead
Jimmy Stephen-Cran
Bob Stewart

Ts Miscellaneous
Fiona Taylor
Alexander 'Greek' Thomson
Timorous Beasties
Travis
Us and Vs Miscellaneous

Ws Miscellaneous
Alison Watt
Kate Whiteford
John Whiteman
Kathleen Whyte
Adrian Wiszniewski
Annabel Wright
George Wyllie

XYZs Miscellaneous

Almost 2 repeats. Industrially printed wool delaine.

These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.

Wooden chest with twelve small shallow drawers and two larger drawers. Contains collection of cast reliefs of portrait busts, religious scenes, ancient Greek/Roman scenes, military scenes, and architecture.

Anthology of paintings and drawings by Fyffe Christie published by Sansom & Company with essays by David Buckman, Ludmilla Jordanova and Robert Radford.

Traditional artist's easel. According to donor, the artist's wife Mrs Nina Herman, the easel was borrowed by her husband from GSA c1950. This had been made possible by Joan Eardley. The easel never returned. On the death of Josef Herman, his widow began clearing out his studio. The drawing (NMC/633) was gifted to GSA as a thank you for the 50 year loan of the easel.

Silver medal, blank on reverse.

Medal awarded to Robert Elder for excellence.

Medal awarded to Robert Elder for excellence.

GSA-related exhibition catalogues, including those for the following exhibitions: Ancient & Modern Embroidery & Needlecraft, 1916 (2 copies); The Page Right Printed, An Exhibition of the Work of the Private Presses from William Morris to the Present Day, May 1973; Come All Ye: Exhibition of Broadsides, Broadsheets, Chapbooks, Songsheets, Poem Cards, Private Press Ephemera and Street Literature, Feb 1975; Work by GSA Design School staff, Mar/Apr 1982; Tenth Degree: Exhibition of work by final year and postgraduate students in Fine Art, 1988; Art at Heart: Work by students at schools for the blind in Japan 1950-1988, Oct 1989; Hannah Frew Paterson, Embroiderer, 1990 (ISBN 0901904147); Berlin/Glasgow | Glasgow/Berlin, 1995/6 (2 copies);Glasgow School of Art Design Staff, Tyler School of Art, Philadelphia, USA, 13th-24th Feb 1996; Lines of Continuity, 2002 (ISBN 0901904430)(2 copies).

A collection of photographs of the Mackintosh Building, including: aerial photographs and site plans; photographs of the exterior of the building; photographs of the interior of the building including the entrance, corridors, studios, offices and other rooms; photographs of furniture; photographs of scale drawings of furniture; photographs of metalwork and other details.

plaster cast of Saint Jerome, the patron saint of libraries.

The series contains a single item featuring a mountainous landscape.

The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.

An annotation on the top right corner of the cardboard shows "1909".

The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".

An annotation on the top right corner of the cardboard shows "1910-12".

The photograph features a group of nineteen female students in an anatomy drawing class.

An annotation on the top right corner of the cardboard shows "1914".

The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".

An annotation on the top right corner shows "1909-10".

The photograph features a mountainous landscape.

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features a group of sixteen male and nine female students.

The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.

The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".

The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.

The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".

The photograph features a group of four female and one male students.

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."

An annotation on the top right corner of the cardboard shows "1909".

The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features a close-up shot of Josephine Haswell Miller.

The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".

The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".

The photograph features a male and a female dressed with period clothing.

The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features a close-up shot of Josephine Haswell Miller.