Four sample weaves on card. One with sections with thick white wool weft. One ruched fabric caught with chevron stitches on blue and beige fabric. One with a geometric designed weave in peach, dark pink, teal, blue and gold. The final piece with open weave sections and bands of close woven tape in blue, grey and dark pink, with flat orange button decoration.
Cunningham, Lin
Four sample weaves on card. One in shades of blue with orange and peach threads, another predominantly orange with blue. One with bands of striped woven sections. Final sample has mustard, dark pink, green and yellow bands of colour with open weave sections with decorative semi-circular buttons in gold and black.
Cunningham, Lin
Board showing different weaves and textures developed from TSW/96. Blue-green and maroon colours used, fabric believed to be wool.
Wilkinson, Joanne
Fabric development board with drawings, weaving grid, picture of a tapestry showing the inspiration, blue-green textile with orange, maroon and lilac spot design all mounted on card, entitled Hospitality Fabrics.
Wilkinson, Joanne
Oil pastel drawing of woman wearing a green woven jacket. Presumed to be part of fabric development project.
Hendry, Claire
Weaving grid and notes mounted on card.
Wilson, Alexa
Paper test piece for textile design made from cut and rolled coloured paper in shades of blue with lighter blue circular highlights and purple strips.
Crossan, Kathryn
Paper test piece for textile design made from cut and rolled coloured paper in shades of brown with orange circular highlights.
*Not available / given
Brown, red, blue and gold coloured thread embroidered on a white cotton ground, with white wool part knitted, part caught down with thread. Red edged and mounted in white card.
Wells, Kate Hobson
Textile related to the Mackintosh Interpreted exhibition
'Dried Dahlias' by J.R.Campbell.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Gothic Bulbs'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Wave Check'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Stylised Daisies Deco'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number.
Centre for Advanced Textiles
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number.
Centre for Advanced Textiles
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number, and the logo of Glasgow School of Art Centre for Advanced Textiles.
Centre for Advanced Textiles
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Fringed, printed woolen stole in brightly coloured architecture-inspired patterns with applied plastic sequins.
Jack, Joanie
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Perritt, Peter R
Rectangular pieces of silk sewn together to form a geometric pattern in pink, black, blue, green, gold and cream.
Day, Lucienne
Timorous Beasties
This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Nameplate for 4th year diploma show
"Marion Gracie" framed embroidery piece featuring pink, green and black threadwork on cream fabric. Includes painted brown wooden frame.
Stewart, Marion S
Printed length for degree show
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is green in colour.
Stewart, Robert
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is teal in colour.
Stewart, Robert
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
*Not available / given
Wall hanging depicting Hebridean village
Wall hanging, L-R design shows street of houses with mountains behind, church, trees, stone cross, cows and shore with moon.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Lounsbach, Eric
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
The Glasgow School of Art blazer badge
Embroidered The Glasgow School of Art blazer badge.
*Not available / given
Decorative repeating flower and blue vine design. White, blue, yellow, pink and dark red needlework on cream-ochre fabric.
*Not available / given
White, Crissie
Red woollen dress coat with purple pattern printed on top.
Ruddy, Meg
4 pieces in mount. Two textile samples showing colour gradiations. One painted piece and corresponding photograph.
Stewart, Robert
Design of bird and flowers.
Jackson, May
Design of frog and dragonfly.
Jackson, May
Abstract figure.
Mitchell, Charles
White linen with embroidery. The design and technique shows influence of Jessie Newbery's teaching.
McGlashan, Daisy Agnes
Embroidered bedspread of linen with applique. The technique, lettering and choice of inscription are typical of Jessie Newbery's work. From the wear on the stitching of the inscription it is obvious that the bedspread has been in regular use. The heart shaped applique motifs are unfaded round the edges and there is evidence that the blue silk Inscribed: "God knows and/what he knows/is well and best/ the darkness/hideth not from/him but glows/clear as the/morning or the/evening rose/of east or west".
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
McGlashan, Daisy Agnes
Part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Pair of suede slippers, part of a Costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes