Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of woods in Milngavie, near Glasgow. Verso: 'Edge of a wood, Milngavie', John Laurie, 4 Somerset Place Mews Glasgow G3.
Laurie, John
Two country landscapes (folded).
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study.
Pringle, John Quinton
Landscape study.
Pringle, John Quinton
Unfinished study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Study of trees.
Pringle, John Quinton
Open flats.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Houses and skyline.
Pringle, John Quinton
Country skyline.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Woman with hat.
Pringle, John Quinton
Fenced field.
Pringle, John Quinton
Abstract skyline.
Pringle, John Quinton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of highland landscape.
Paterson, George William Lennox
Study of highland landscape.
Paterson, George William Lennox
Landscape sketch with loch and hills.
Shanks, Thomas Hovell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of sand dunes.
Cadenhead, James
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of church or minster, with herd of cattle in foreground.
Anderson, Agnes
Drawing of the bridge and abbey.
Anderson, Agnes
Village set amongst farmland and hills. Possibly the South of France.
*Not available / given
Valley village with viaduct. Possibly the South of France.
*Not available / given
Farm buildings with distant hills. Two figures on roadway. Possibly the South of France.
*Not available / given
Study of cathedral, with river to the foreground.
Paterson, Alexander Nisbet
View of town seen from the roof tops.
Selby, Frederick
Isola di Murano, Venice (Version 1)
Isola di Murano, Venice (Version 2)
View looking towards Sant'Agostino.
Selby, Frederick
View over the town's skyline.
Selby, Frederick
View of town with fields to the foreground.
Selby, Frederick