Church interior, Basilica di San Marco, Venice
- NMC/0080
- Item
- 1948-1949
Study of church interior.
Eardley, Joan Kathleen Harding
16 results with digital objects Show results with digital objects
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Material related to Georges-Marie Baltus
A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Baltus, Georges-Marie
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Material related to Archibald Haswell Miller
A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.
Miller, Archibald E Haswell
Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.
Cosgrove, James
Mackintosh, Charles Rennie
Part of Papers of James Cosgrove
Sketches, drawings, paintings, collage, poems and notes. Includes entries relating to visit to Rijksmuesum, Amsterdam.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches, drawings, paintings, and poetry from travels around Mexico City.
Cosgrove, James
Part of Papers of James Cosgrove
Travel journal, including sketches, drawings, paintings and notes, mixed media collages, and photographs.
Cosgrove, James
London Notebook and Travel Journal
Part of Papers of James Cosgrove
Inside front cover is inscribed "This is one for London, March 2015". Includes sketches of figures, and landscapes.
Cosgrove, James
Welcome [sic] Trust Visit, 2014 (and other places, Malaga, Faro)
Part of Papers of James Cosgrove
Sketches, drawings, and notes, including cityscapes and landscapes.
Cosgrove, James
Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches from travel in Paris and London.
Cosgrove, James
Some Cranbrook Notes (Michigan)
Part of Papers of James Cosgrove
Journal entries and recounts of visit to Cranbrook College, Washington, and Detroit. Includes live commentary of the Cranbrook College Fashion Show.
Cosgrove, James
Part of Papers of James Cosgrove
Contains sketches, notes and stories, including writing on airports. Some pages headed 'Las Fallas, Valencia, March 2005' and 'Route 66'. Includes sketches for a landscape series.
Cosgrove, James
Part of Papers of James Cosgrove
Sketchbook, inside cover reads 'EGYPT Luxor - October 12 1990 via London October 11. Sketches, text and tickets. Original copy.
Cosgrove, James
Part of Papers of James Cosgrove
Loose photocopies of pages from the Egypt 1990 notebook.
Cosgrove, James
Collection includes:
The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.
Additional uncatalogued material includes
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Hunter, William R
Artist's scrapbook belonging to J Mylne
Scrapbook with 218 pages containing works by
A list of all entries in the scrapbook, giving the page number:
I have just returned from London where I have been for a few days, else I should have answered your kind letter sooner. I shall be very happy to receive the balance which you tell me is in your hands, of the sum subscribed for the portrait of Bailie Moir [?] which I painted. I know there was some difficulty in getting up the money at last. Horatio McCulloch was my very intimate friend and I knew R.M., Cooper and Bill Mason and I.M. Donald, very well. Mason was a nephew of the Kembles, his mother being a sister of the great Mrs Siddons. He was a grand heavy looking fellow, but unfortunately took to the bottle and went to the D 1. The last time I saw him was in Tottenham Court road standing against a lampost haranguing a lot of little boys who were evidently bent on mischievous fun with the drunk man, but were awed by the grand Caricature [?] like style of poor Bill. I believe he is dead long ago.
I should very much like to see the Scrap books, and also the portrait of Allan Ramsay, is it Ramsay the father -the Pact [?] s Ramsay the son, the portrait painting.
The first time I'm in Glasgow I'll endeavour to let you know, and perhaps you will kindly show them to me.
Believe me, very truly yours...
Mylne, J
Framed print of aeroplane, G-Byug.
Cameron, Dugald
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie