- MC/A/4
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Poster for a film screening of 'The Passion of Joan of Arc'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.
Heatherington, Robert
Papers of Jane Richards and Fiona Jean Paton, students of The Glasgow School of Art
This collection relates to Jane Richards and her granddaughter Fiona Jean Paton who both studied at The Glasgow School of Art.
It includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
One item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.
Richards, Jane
Part of Papers of Dorothy Doddrell
Circular textile sample pinned to paper with painted details on front. Inscription on lower right of painting shows Dorothy Doddrell's monogram.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Poster for 'Berlin - Kulturstadt Europas 1988', Germany
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Artwork featured is 'Schwitteis-fragment' by Laszlo Lakner.
Not available / given
Design for Blackie Books - The Eye of the God (Version 1)
Design for Blackie Books - The Eye of the God (Version 2)
Design for Paterson Sons & Co Books - Bagpiper
Miller, Archibald E Haswell
Proposed layout of mural decorations, Livingstone Museum Memorial
Miller, Archibald E Haswell
Proposed layout for Livingston Museum Memorial Adventure Room
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Harvest of Liberation
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Harvest of Liberation
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - Livingstone the Liberator
Miller, Archibald E Haswell
Ethereal composition of central tree and four female nudes (Version 1)
Ethereal composition of central tree and four female nudes (Version 2)
Three abstract pattern designs
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Three abstract compositions of organic like shapes. Painted in ink, gouache and metallic ink on white paper. Similar in design and application of media to DC 089/1/2/4/10.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in brown ink rendered with purple and cream coloured gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
The Magazine: Volume 1 (Page 6)