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Drawings (visual works)
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Self portrait

Self portrait, tonal pencil drawing of head and shoulders. Also features sketches at the side, working out proportions of nose. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

Cameron, Dugald

Self portrait

Self portrait, tonal pencil drawing of head and shoulders. Small sketch of lips to the left side of the drawing. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

Cameron, Dugald

Self portrait

Self portrait, tonal drawing of head and shoulders. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

Cameron, Dugald

Life drawing

Tonal life drawing of a male in pencil. With a proportions sketch at the right side of the drawing and some notes.

Cameron, Dugald

'Grammar of Ornament' study

A study and copy of images from the book 'Grammar of Ornament', by Owen Jones, published by Bernard Quaritch. Two colour drawings and some hand written text discussing Egyptian ornament and decoration.

Cameron, Dugald

Life drawing

Tonal drawing of a woman sitting holding her left knee. View from left side. A sketch and some notes also feature on the back of the page.

Cameron, Dugald

Life drawing

Tonal drawing of a woman sitting twisting her body to the left . Left side view. 4 boxes forming a frame have been drawn around the image.

Cameron, Dugald

Life drawing

Tonal drawing of a man sitting on a plinth/box on a stage, left/back view. Technical sketches and measurements/notes are on the back of the page.

Cameron, Dugald

Life drawing

Tonal drawing; torso of a man sitting, twisting to left side. Face on view. A faint sketch of the outline of a face is to the left of the drawing. 3 boxes forming a frame have been drawn around the image.

Cameron, Dugald

Fairies

Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.

Mackintosh, Charles Rennie

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