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Fine arts With digital objects
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Dawn (Version 6)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Dawn (Version 5)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Dawn (Version 4)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Dawn (Version 3)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Dawn (Version 2)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Dawn (Version 1)

Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.

Dick, Sir William Reid

Untitled ("Useless Machines")

‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.

Tihngang, Kialy

Wrecking Ball

Wrecking Ball woodcut and cardboard print

Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.

Campistron, Dominique

Soft Candy

Digital print on leather with stainless steel rod and rings. The artist wishes it to be installed with the rod hammered into the wall at a height of 1.7m, with the leather hanging from the two rings which are placed onto the rod.

Herrmannsen, Eleanor Elks

Sandblasted glass panel

Piece of experimental sandblasted glass made by the artist as a postgraduate student. This item was made as sample for possible commission for an architect in relation to a shop front for Leeds Building Society. The final piece was made with kiln-fired fused and lustred glass panels.

The image is one of a series based loosely on a setting sun behind a pyramidal island.

Cosgrove, James

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