- NMC/1993/v6
- Part
- 1921
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
Plaster cast sculpture of artist's son as a baby, inscribed with creator's name and date. The sculpture of the baby's head is mounted on a plinth. The baby is sleeping.
Dick, Sir William Reid
‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.
Tihngang, Kialy
Oil on canvas portrait of artist and GSA alumna Louise Annand. Signed and dated.
Ferguson, James Wallace
Bronze Portrait Bust (Version 3)
Bronze portrait bust. Model was "Lauren", from New York.
McKnight, Dr Douglas William
Bronze Portrait Bust (Version 2)
Bronze portrait bust. Model was "Lauren", from New York.
McKnight, Dr Douglas William
Bronze Portrait Bust (Version 1)
Bronze portrait bust. Model was "Lauren", from New York.
McKnight, Dr Douglas William
Hollowed and kiln-fired clay maquette of a portrait bust, modelled in the Haldane building as a part of GSA open studio classes. Model is "Lauren" who was from New York.
McKnight, Dr Douglas William
Hollowed and kiln-fired clay maquette of a portrait bust, modelled in the Haldane building as a part of GSA open studio classes. Model is "Lauren" who was from New York.
McKnight, Dr Douglas William
Hollowed and kiln-fired clay maquette of a portrait bust, modelled in the Haldane building as a part of GSA open studio classes. Model is "Lauren" who was from New York.
McKnight, Dr Douglas William
Seated woman etching, 3/4, 1968
Lang, DCH
Artwork and calligraphy of Lewis Carroll quotations
Calligraphy of Lewis Carroll quotations in outline of elephant.
Lang, DCH
Artwork and calligraphy of Lewis Carroll quotations
Calligraphy of Lewis Carroll quotations in outline of buffalo.
Lang, DCH
Tree-stump scene lithograph, 3/6.
Graham, Gordon
'Maiden flight' artwork
Blackwood, William TL
'Positions: Orange on White, White on Orange'
Inkjet print, 'Positions: Orange on White, White on Orange'. Photograph of radiator fallen from wall, with cabling adjacent.
Ulas, Ruudu
Copper engraving plates (Version 6)
Copper engraving plates (Version 5)
Copper engraving plates (Version 4)
Copper engraving plates (Version 3)
Copper engraving plates (Version 2)
Copper engraving plates (Version 1)
Print of 'The Archer'
McGlashan, Archibald A
Screen print, "I DON'T LIKE IT HERE". Annotated on reverse '5/5 AW 2017'
Wachsmuth, Anna
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
Framed oil painting of sunflowers. Annotated on reverse 'Sunflowers I Oil on board 61 x 51cm 2016 Hannah Mooney GSA 2017 graduate'
Mooney, Hannah
Pencil drawing of sleeping girl.
Houston, Robert
Pencil drawing of cart horse. Signed by the artist and dated [19]13. Annotated on reverse with artist's name handwritten.
Houston, Robert
Wood printing block of portrait of man with building in background. Annotated on reverse: stamped name "Lawrence", artist's name handwritten.
Small, William Farquharson
Chalk drawing of woods
Small, William Farquharson
Still life chalk drawing of fruit, vase and bowl. Annotated on reverse: "1/2" black mount, 2" white mount".
Small, William Farquharson
Digital print on leather with stainless steel rod and rings. The artist wishes it to be installed with the rod hammered into the wall at a height of 1.7m, with the leather hanging from the two rings which are placed onto the rod.
Herrmannsen, Eleanor Elks
Grass of Parnassus flower study (Version 2)
Grass of Parnassus flower study (Version 1)
Watercolour and pencil study of female head
Morkunaite, Sigita
Oil painting of Lithuanian landscape
Oil painting on MDF board, Lithuanian landscape.
Morkunaite, Sigita
Black pencil drawing of two GSA cleaners, framed.
Payne, Lucy
Bronze figure of Madonna and Child (Version 3)
Bronze figure of Madonna and Child (Version 2)
Bronze figure of Madonna and Child (Version 1)
Piece of experimental sandblasted glass made by the artist as a postgraduate student. This item was made as sample for possible commission for an architect in relation to a shop front for Leeds Building Society. The final piece was made with kiln-fired fused and lustred glass panels.
The image is one of a series based loosely on a setting sun behind a pyramidal island.
Cosgrove, James
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)