Showing 12435 results

A variety of designs, correspondence, ephemera, photographs, diaries and sketchbooks related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.

A variety of loose artworks, cover designs, correspondence, ephemera, photographs, diaries and sketchbooks completed by and belonging to Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron). The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

A variety of ephemera primarily dating to the days of Archibald Haswell Miller as a student at The Glasgow School of Art.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.

A variety of photographs showing students and staff of The Glasgow School of Art, many of which feature Archibald Haswell Miller during his time as a student and staff at the institution.

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

Documents and objects related to Alfredo Avella's teaching career at GSA and work as an artist. Includes sketches and finished artworks, correspondence, photographs, two- and three-dimensional designs, printed ephemera, etc.

Variety of reference materials, including prints and photographs of art works.

A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.

Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

Includes one folded sheet of paper with 24 sections of Project Ability's activities including upcoming three week long exhibitions and events in October 1983 (DC 101/3/3), theatre productions, conferences, bookshop, community workshops, music lessons and concerts, poetry night, art therapy support, film productions, ceilidh, talks, exhibition descriptions, acknowledgements, box office information, the people behind Project Ability, their hours, and location.

A number of architectural drawings by Elizabeth Marion Harvey, featuring both coursework from her time as a student at the Glasgow School of Art and from her later professional career. The drawings are for various structures.

Variety of designs created by Dorothy Doddrell.

Includes two letters, a flyer, a leaflet, and a brochure surrounding Veronica Matthew's education and experience with art therapy and Project Ability.

Collection includes: Artworks by Colin Wilson including drawings, paintings, prints and graphic design works; artworks by various artists collected by Colin Wilson including prints by Alasdair Gray, Elspeth Lamb and Alan Cox; associated papers and ephemera including notebooks from Wilson's studies at school and at The Glasgow School of Art, exhibition posters and Wilson's Curriculum Vitae; and material related to Peter Blake including magazine articles, correspondence and photographs.

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

Job files, images and drawings related to project.

A collection of personal papers and documents belonging to William Drummond Bone, including exam papers, army correspondance, fashion designs, essays, teaching notes and exhibition catalogues.

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A flower pattern design repeatedly arranged in vertical and horizontal directions

A painted pattern design with interlocked geometric figures. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

Three ornamental designs featuring symmetric strapworks in rectangular frames. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A botanical pattern design painted in shades of yellow, green, and blue. Student registration no. ("No. 71") and signed "G. Murphy." on the back of paper.

14 sheets of teaching examples and one title page, assumed to have been compiled as Murphy's portfolio during his career as an art teacher in schools located in Scotland, such as Motherwell RC High School and Coatbridge Secondary School. These teaching materials include pattern designs, graphic designs (possibly for students' school activities), and woodblock printmaking examples. Most items have been marked with the intended level of students as appropriate examples for education.

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

Print of the Busby West United Free Church's First World War Roll of Honour, designed and executed by Dorothy Doddrell.

Small design example. Calligraphic title of 'MENU' with painting of a woman holding fruit.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.

Originally located within folder (DC 098/1/4).

The photograph features Archibald Haswell Miller dressed as a medieval King.

Print of the illuminated heading for the Roll of Honour of The Glasgow School of Art. Annotation on the reverse attributes the design and execution to Dorothy Doddrell.

Job files, images and drawings related to the project.

Fictional exhibition postcard from Stage 2 of Master of Design in Interior Design project titled "Time is Malleable".

Project Synopsis: When a Midwinter festival goes wrong, our hosts – a Neolithic tribal leader, a magpie and a standing stone, are accidentally transported through time, from the Land of the Pishinrain 2628BC to Argyll 2031AD. Arriving in Glasgow, they are fascinated by the scale and acoustic properties of the Gartcraig Road salt dome and decide on this as the site of their future festivals and ceremonies. Making use of the unfamiliar objects from their new material world, they design new ceremonies based on those of their past, with a wish to reconnect with their past lives through these familiar acts. Time is Malleable is a fictional exhibition of the assemblages of objects created by our Hosts for this purpose. The exhibition presents an investigation into material culture and the role objects play in the creation of memory, ceremony, relationships and time.

The Time is Malleable fictional exhibition postcards were to appear like the exhibition postcards often available to buy in a museum giftshop. Four different postcards were created, with four different images on the front, representing the four seasonal ceremonies of our Hosts. The postcards are printed on a typical satin postcard stock.

Fictional exhibition poster from Stage 2 of Master of Design in Interior Design project titled "Time is Malleable".

Project Synopsis: When a Midwinter festival goes wrong, our hosts – a Neolithic tribal leader, a magpie and a standing stone, are accidentally transported through time, from the Land of the Pishinrain 2628BC to Argyll 2031AD. Arriving in Glasgow, they are fascinated by the scale and acoustic properties of the Gartcraig Road salt dome and decide on this as the site of their future festivals and ceremonies. Making use of the unfamiliar objects from their new material world, they design new ceremonies based on those of their past, with a wish to reconnect with their past lives through these familiar acts. Time is Malleable is a fictional exhibition of the assemblages of objects created by our Hosts for this purpose. The exhibition presents an investigation into material culture and the role objects play in the creation of memory, ceremony, relationships and time.

The Time is Malleable fictional exhibition postcards were to appear like the exhibition postcards often available to buy in a museum giftshop. Four different postcards were created, with four different images on the front, representing the four seasonal ceremonies of our Hosts. The postcards are printed on a typical satin postcard stock.

A variety of artworks, including landscape drawings, designs and life sketches, unique paintings made of pressed seaweed, and one printed work. A few items have annotations, such as related locations to the works or some letters. None of them are dated, except for one piece of the seaweed work.

Job files, images and drawings related to project.

Includes catalogues, programmes, flyers and tickets for Glasgow School of Art exhibitions, pageants, lectures and theatrical events as well as posters from Activities Week events and student fashion shows, dating from 1890 to the present. Ephemera also includes a collection of postcards from c1900 to the present, as well as material relating to: Glasgow School of Art's involvement with the international exhibition scene; records of the Woman's Work Exhibition, London, 1900; records of the Glasgow School of Art participation in the Glasgow International Exhibition, 1901; the Exhibition of Modern Furniture, Budapest, 1902; the Brussels Exhibition, 1910; and papers documenting the organisation of the Scottish Pavilion at the Exhibition of Decorative Arts, Turin, 1902. Some of the material is in French and Italian.

Collection includes:

• Menus and dinner invitation to artistic gatherings with a sketch by James E Christie
• London Sketch Club ephemera including menus, invitations, cards with sketches by Shepperson, W Lee Hank, Rene Butt and Jock Bere, 1902-1906
• F. Carruthers Gould ephemera containing invites to private views
• tudies for Pictures by J Moyr Smith, 1868
• Information on John Burnet, Architect, 1814-1901
• Photograph album, c1893

The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.

The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.

Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.

Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."