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A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

A design sketch for a cup and saucer set, including side elevation drawings of the cup and two sketches of the saucer. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy."

Three small watercolour drawings of birds: a chicken, a dove, and an owl. No dates and signatures.

18 life sketches depicting male and female figures. The majority are not dated or marked while a few pieces signed "G. Murphy." Some are attached to backing paper. Potentially worked in a drawing class at Glasgow School of Art.

Three architectural sketches illustrating Tomb of Galla Placidia and a Gothic window design. Stamped "The Glasgow School of Architecture, Session 1935-36."

15 painted pattern designs featuring floral, organic, and geometric motifs, including one book cover design for 'Gulliver's Travels' by Jonathan Swift. Most of these designs are likely intended for use in wallpaper, textiles, or graphics, and attached to black backing paper. Some include annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A series of watercolour drawings featuring plant subjects (namely Anemone, Holly, Lilly, and Violet flowers) and a folder for storing the paintings. Half of the items have been signed "G. Murphy, No. 71", and one drawing has been annotated.

A set of anatomical studies of a head, hand, leg, foot and human bodies. All the material has annotations of student registration number ("NO. 71") and signed "G. Murphy."

14 sheets of teaching examples and one title page, assumed to have been compiled as Murphy's portfolio during his career as an art teacher in schools located in Scotland, such as Motherwell RC High School and Coatbridge Secondary School. These teaching materials include pattern designs, graphic designs (possibly for students' school activities), and woodblock printmaking examples. Most items have been marked with the intended level of students as appropriate examples for education.

A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.

Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs, featuring an interplay of waves and geometric shapes, were used as teaching materials in schools in Scotland, as marked the level of students "First year."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."

A life sketch featuring a female nude figure seated in an armchair.

Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."

A life sketch featuring a woman with bent knees, viewed from the back. The sheet is numbered 790.

Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."

Nine pieces of teaching examples for printmaking, attached to backing paper. These prints appear to be intended as teaching materials in schools in Scotland, as marked the level of students "Third year."

A life sketch with slight traces of white chalk, featuring a nude woman seated on a chair. Another sketch of a woman sitting on a box on verso.

A small watercolour drawing depicting a dove.

A small watercolour drawing depicting an owl.

Seven pieces of teaching examples for pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

A life sketch portraying a woman.

Eight aligned decorative strips illustrating organic, geometric, or strapwork-style pattern designs.

A full-length figure study focusing on the angle of legs. Includes an annotation of student registration no. ("No. 192.")

A sketch of a man wearing a scarf. The focus is seemingly on depicting the gesture of grasping the scarf.

A life sketch portraying an old woman.

Three drawings (3 on 1 sheet) illustrating the front and side elevations, as well as the floor plan of the Tomb of Galla Placidia, an ancient Roman building in Ravenna, Italy. Stamped "The Glasgow School of Architecture, Session 1935-36."

A one-point perspective drawing depicting the side elevation of Galla Placidia. Stamped "The Glasgow School of Architecture, Session 1935-36."

A pencil drawing illustrating a decorative Gothic window, accompanied by the annotation "Gothic Window, Decorated Period" and stamped "The Glasgow School of Architecture, Session 1935-36."

A study of a standing male nude, featuring three sketches depicting torsion of the body, and five sketches focusing on feet and arms. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated "28/9/34." Also marked "G.C."

A drawing of a seated man with a fedora while playing Mandolin. The sheet is attached to backing paper.

A study of male model potentially from a drawing class at Glasgow School of Art. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated 1935.

A full-length figure drawing depicting a man holding a bucket, viewed from the back. The sheet is cut to fit the figure size and attached to backing paper.

A small-sized life sketch portraying an old man. The sheet is attached to backing paper.

A life sketch portraying a nude female figure viewed from the back.

A meticulously observed full-length life study capturing a male figure in a seductive pose, featured white chalk traces. Includes an annotation of student registration no. ("No. 114") and numbered "137."

A full-length life drawing featuring a standing man. The sheet is attached to backing paper. Includes an annotation of student registration no. ("No. 192.")

A sketch of a standing man with a seemingly focused depiction on the torso. The sheet is attached to backing paper.