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Design for the Dug-Out, Willow Tea Rooms, Glasgow

Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.

Mackintosh, Charles Rennie

The coach house, 47 Eldon Street, Greenock: photograph

A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street), showing the Health Board Headquarters building situated on top of the hill above the coach house.

Platt, Christopher

The coach house, 47 Eldon Street, Greenock: Survey notes (page1)

12 cartridge paper sheets including free hand sketches of the coach house ground floor plan, upper floor plan, section CC, section BB, section AA, N.W elevation, N.E elevation, S.W elevation, S.E elevation, and several architectural details including gate, window, and cast iron fireplace. Although these drawings are all free hand sketches, they also include details of the entire building's dimensions and materials used indoors and outdoors.

Platt, Christopher

The coach house, 47 Eldon Street, Greenock: photos

Cartridge paper sheet including five photos of the coach house taken by the architect focusing on the external view from different angles showing some details such as the junction of the roof, and details of ridge window where the large windows have been boarded up. One of these photos shows the front elevation of the coach house facing the driveway leading to Health Headquarters situated on the top of the hill above the coach house.

Platt, Christopher

Scotland Street School, North Elevation

Free hand sketch showing the north elevation of Scotland Street School including some architectural descriptions, for example, "scale has been a major design factor in this building for children, windows diminish in height as they rise from the floor, and the wall has been set back to lessen the effect of three stories. Not every room in a building has the same height, each houses a different function and should be designed with that function in mind".

Platt, Christopher

Different kinds of Street's lightings

Free hand sketches showing different kinds of lighting on three different street at Glasgow:

  • Maxwell Street from Howard Street,
  • St. Enoch Car Park, Pedestrian Entrance view from inside,
  • St. Enoch Car Park, Pedestrian Entrance view from outside.

Platt, Christopher

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Old West Kirk, Greenock, front elevation (Page 1)

Material created for summer project relating to the study of Old West Kirk at Greenock including free hand sketches showing front elevation, left hand elevation (right hand elevation is similar), plan of the main entrance, section through porch, and walls bricks' details.

Platt, Christopher

Greek Architecture

26 x single sheets of architectural sketches covering various periods/styles in history from Greek and Roman to Gothic and the Renaissance. 2 x double sheets, "The Renaissance of Roman Architecture" essay.

Gorman, James

Design for Windyhill, Kilmacolm, perspective from south-west

Design for William Davidson. In the mid 1890s Mackintosh met William Davidson, a young Glasgow businessman, who commissioned him to design some furniture for his flat in Gladsmuir, his parents' house at Kilmacolm. About 1899 Davidson decided to build his own house, and Windyhill was the first of Mackintosh's private houses. It was completed in 1901 and still survives. Mackintosh designed the furniture for the hall, drawing room, schoolroom and principal bedroom, much of which survives in the GSA collection.

Mackintosh, Charles Rennie

St. George's Church, Edinburgh

Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.

Thomson, Alexander

Plate 14 The Dining Room from Portfolio of Prints

An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. Like the hall, this room is wood panelled. The sombreness of the dark panelling is relieved by a frieze of coloured panels using the standard Mackintosh theme of a stylised female figure, and the coloured lights handing from the barrel vaulted ceiling. As in the reception room, Mackintosh makes use of furniture designs he has already used elsewhere, the stone surround of the fireplace is based on that in the original Board Room in the GSA, the table (the flat, plank like surfaces echoing the construction of the sideboard) on the dining table designed for Windyhill, and the chairs recall the oval backrail armchairs used in the Mains Street dining room. The central feature of the room is the fireplace, set in a deep recess decorated with fanciful female figures, details picked out in rose against a strong blue ground which dominates the otherwise severe room. The colours are echoed in the wall panels, the decorative insets on the sideboard, the china and even the table runner and roses on the table.

Mackintosh, Charles Rennie

Plaster cast of Parthenon Frieze (South Frieze XLIV)

Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Classical woman in relief

  • PC/063B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

*Not available / given

Classical woman in relief

  • PC/063A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

*Not available / given

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