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Fairies

Fairies

Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.

Mackintosh, Charles Rennie

The Village, Worth Matravers

The Village, Worth Matravers

In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow

Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.

Mackintosh, Charles Rennie

Records of the Scottish Society of Art Workers

Records of the Scottish Society of Art Workers

  • DC 001
  • Collection
  • 1898-1901

This collections contains:

  • A notebook containing the constitution and rules of the society signed by its members
  • Printed version of the constitution and rules, c1898
  • Minute book, 1898-1900
  • Letter from John Keppie to Fra. Newbery re: the Glasgow School of Art receiving a copy of the constitution and rules, 1901

Keppie, John

Poster for an exhibition of work by fine art students at The Glasgow School Of Art

Poster for an exhibition of work by fine art students at The Glasgow School Of Art

This poster advertised an exhibition that was to be the first of a number of annual exhibitions showcasing the work of students from the School Of Fine Art. The exhibition was held in The Mackintosh Museum and ran from the 30th of January to the 7th of February 1987. The poster was designed by John Shankie who would later become a technician for the masters of fine art course. There are two copies of this poster in the collection, both with the same reference number.

Shankie, John

Poster for The Glasgow School Of Art degree show

Poster for The Glasgow School Of Art degree show

This poster advertised an exhibition of work by graduating fine art students included in The Glasgow School Of Art degree show in 1988. The exhibition showcased work by students studying environmental art, painting, photography, printmaking and sculpture and was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June. The image on the poster is a photograph taken by previous lecturer Vaughan Judge and shows the exhibiting students sitting on the steps of the Mackintosh Building. A key naming most of the students can be found alongside the poster under the same reference number. The list was compiled with the help of Eddie Stewart who was a former student at The Glasgow School Of Art who then became a tutor in painting and printmaking. Stewart graduated with an undergraduate degree in drawing and painting in 1988 and is included in the photograph on this poster. He then went on to do a Masters in 1990. The poster was designed by The Glasgow School Of Art and printed at David J Clark Limited. Names of students in the photograph: - Leslie Anderson - Suzanne Appleford - Shona Barr - David Burns - Christine Campbell - Alan Connell - Alex Dempster - Graham Fagan - Andrew Fitzpatrick - Jean Gavin - Douglas Gordon - Janice Gray - Simon Greer - Fiona Gurley - Janice Hunter - Fiona Leitch - David Lang - Richard Learoyd - Jeff MacDonald - Alison Mate - Anne McKay - Grant McTavish - Ann Morrison - William Mulraney - Murial Patterson - Craig Richardson - Julie Roberts - Ann Russell - John Shankie - Andrew Sneddon - Eddie Stewart - Pamela Topping - Cathy Wilkes

Judge, Vaughan

Poster for The Glasgow School Of Art degree show

Poster for The Glasgow School Of Art degree show

This poster advertised The Glasgow School Of Art's annual degree show which showcased the work of graduating students in 2002. Undergraduate students exhibited on campus while the Masters of Fine Art students exhibited at local arts centre Tramway. The exhibition ran from the 22nd to the 29th of June and had a number of sponsors including Ziper Beer, McGrigor Donald, Gordon Yuill and Company, BD-Tank and the Centre for Contemporary Arts.

Not available / given

Bridgnorth Bridge

Bridgnorth Bridge

Study of bridge with buildings beyond. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

View on the Barmouth Road N.W

View on the Barmouth Road N.W

Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Harvesting

Harvesting

Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Three river/country views

Three river/country views

Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Misty Morning

Misty Morning

Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby

Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby

Stained glass cartoon for a two light memorial window. Inscribed: Our Souls Inspire'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.

Bell, Robert Anning

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