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A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.

A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.

A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.

A monochrome photograph of a watercolour painting depicting the front yard of a house. The paper has been faintly signed "W. Meldrum" on the bottom right, annotated "Skye" on the reverse, but not dated.

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.

Verso: GSA 1977/8 Photograph by Gerry Kelly, 1st Year. Fraser Taylor, Morag Ross, Robert McCann, Lis Martin. Black and white photograph, landscape.

Verso: 'Robert McCann 1st Year GSA 1978 photograph by Gerry Kelly'. Black and white photograph, landscape.

Verso: 'Fraser Taylor 1st Year GSA 1978 photograph by Gerry Kelly'. Black and white photograph, landscape.

'Morag Ross 1st Year GSA 1978 photograph by Gerry Kelly'. Black and white photograph, landscape.

Verso: 'David Band 1st Year GSA 1978 photograph by Gerry Kelly. Black and white photograph, landscape.

One of a series of six photographs from a 1976 Fraser Taylor collection. Model wearing black garment against white backdrop.

Black and white fashion photograph of model wearing garment made at GSA by Fraser Taylor. Model wears geometric dress which matches textile backdrop and holds her arm in a 'sling'/pocket/layering feature.

Black and white fashion photograph of model wearing garment made at GSA by Fraser Taylor. Model wears dark dress with single pale tie detail on front, and tie details down sides.

Fashion photographs of garments made at GSA by Fraser Taylor. Two models, one dark haired, one fair haired, wear chunky sectioned garments, featuring straps/ties in fabric tape, and stand back to back.

Black and white fashion photograph of model wearing garments made at GSA by Fraser Taylor. Model holds arm out to side and other arm on hip. The garment features straps/ties and a semi-circular hoop detail.

Fashion show of printed dresses shown in DC 089/1/3/17 with hanging fabric and chicken wire backdrop. Black and white gloss photographs, portrait and landscape. 12 photographs.

Fashion portraits of pierrot style design, 2 different models and locations. Possible Alexander ‘Greek’ Thompson building. Colour photographs, portrait and landscape. 3 photographs.

Painted glass window with two mannequins and black and white painting. Uncredited.

Painted glass window with two mannequins and two black and white paintings. Two unidentified people looking at window. Uncredited.

Red face design and blue dot design. Example of both DC 089/3/1 and DC 089/3/2.

Blue dot design and black and white face design. Example of dot fabric.

Group photograph for album artwork, in front of printed fabric with figure motif.

Six models wearing T-Shirts, Shirts and torn denim in front of painted background. Screen prints on cotton. Photograph by Anita Corbin.

Three models wearing t-shirts, shirts and torn denim in front of painted background. Photograph by Anita Corbin.

Winter 1985 collection 'Log and Loggerie'. Example of dot fabric DC 089/3/2. Styling by Joe McKenna. Photography by Andrew McPherson. Black and white photograph, portrait.

Winter 1985 collection 'Log and Loggerie'. Black and white photograph, portrait. Cockling and tide marks.

By Sharp Practice. Colour photograph.

This collection contains:

• Family papers, 1805-1889;
• Wartime records, 1914-1916;
• Lectures and speeches, c1930-1950;
• Photographs; c20th century;
• Miscellaneous papers, c1930-1972;
• Sketchbooks and drawings; c20th century.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

One sheet with a series of pencil sketches, source photographs attached, recording movement.  Handwritten note at the foot of the sheet records the date April 1997, 'the arms swing like gyroscopes to balance the action, contrapposto is not just a concept but a fact of movement'

Black and white transparency.

Same subject as DC 089/3/4/23. Colour polaroid.