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Includes a view of a living room with a focus on six sculptures of different people on a coffee table; "X Val's self portrait / Val's sculptures in their house / Florida, 2010" verso. Has small white border and is glossy.

Includes a corner of Valerie's home with painted artworks on the wall, cast sculptures, and a Tiffany style lamp; " Val + John's house / Florid. Oct. 2010" with a printed image verso. Has small white border and is glossy.

Documents and objects related to Alfredo Avella's teaching career at GSA and work as an artist. Includes sketches and finished artworks, correspondence, photographs, two- and three-dimensional designs, printed ephemera, etc.

Print of the front cover of Scottish Field, August 1964, featuring a painting by Alfredo Avella. Painting, signed "Avella" in the bottom right corner, depicts a violinist on a cool-toned abstract background, with the words "Edinburgh Festival 1964" painted around the figure. There is a wide margin around the cover.

A series of notes separated by lines. Notes read: "Joints 18'' centre approx. 10' 9 1/2'' from", "Templates for back of fires", "Joints direction, Grate if possible, -", "underneath flat (possible bearing wall) " "side wall bearing wall, [illegible] later in plaster". Originally found with designs and artworks but unclear which design it may refer to.

Outside cover of the May 1964 edition of Scottish Field, featuring an unsigned painting of a harbour town on the front and an advertisement for Long John Scotch Whisky on the back. Both inside covers feature advertisements printed in red and black.

Print of the unsigned painting of a harbour town featured on the May 1964 edition of Scottish Field. There is a blank space at the bottom of the page where the features banner would be on the final cover design.

A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.

Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Collection includes: Artworks by Colin Wilson including drawings, paintings, prints and graphic design works; artworks by various artists collected by Colin Wilson including prints by Alasdair Gray, Elspeth Lamb and Alan Cox; associated papers and ephemera including notebooks from Wilson's studies at school and at The Glasgow School of Art, exhibition posters and Wilson's Curriculum Vitae; and material related to Peter Blake including magazine articles, correspondence and photographs.

Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.

A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.

The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

A green folder containing a collection of printed reproductions of Peter Blake's artworks. Each reproduction is accompanied by the work's title, dimensions and year of creation. The first work in the folder is 'Jean Harlow'. There are approximately 40 pages.

A clear plastic wallet containing a collection of printed reproductions of Peter Blake's artworks. Each reproduction is accompanied by the work's title, dimensions and year of creation. There are approximately 43 pages.

A green folder containing a collection of printed reproductions of Peter Blake's artworks. Each reproduction is accompanied by the work's title, dimensions and year of creation. There are approximately 40 pages.

A selection of material relating to Peter Blake collected by Colin Wilson, including printed reproductions of Blake's artworks, photographs of Blake and correspondence between Blake and Wilson.

A selection of Colin Wilson's collected ephemera and associated papers including Wilson's Curriculum Vitae, notebooks, exhibition posters and drafts for book illustration design.

A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.

A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.

A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.

A monochrome photograph of a watercolour painting depicting the front yard of a house. The paper has been faintly signed "W. Meldrum" on the bottom right, annotated "Skye" on the reverse, but not dated.

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

15 painted pattern designs featuring floral, organic, and geometric motifs, including one book cover design for 'Gulliver's Travels' by Jonathan Swift. Most of these designs are likely intended for use in wallpaper, textiles, or graphics, and attached to black backing paper. Some include annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A series of watercolour drawings featuring plant subjects (namely Anemone, Holly, Lilly, and Violet flowers) and a folder for storing the paintings. Half of the items have been signed "G. Murphy, No. 71", and one drawing has been annotated.

A small watercolour drawing depicting a dove.

A small watercolour drawing depicting an owl.

Eight aligned decorative strips illustrating organic, geometric, or strapwork-style pattern designs.

A botanical pattern design painted in shades of yellow, green, and blue. Student registration no. ("No. 71") and signed "G. Murphy." on the back of paper.

A watercolour painting illustrating sunflowers from multiple angles.