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Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Print of 'Keat's Sonnet "On First Looking Into Chapman's Homer". Annotation on lower right side attributes the lettering and illumination to Herbert Whiteside.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of '"To Spring" From Canto IX of "The Revolt of Islam"'. Annotation on the lower right attributes the original lettering and illumination to H. Granville Fell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Brochure of the mural panels created by Maurice Greiffenhagen, commissioned for the Men's Cafe and Smoke Room at Pettigrew & Stephens Ltd. 16 page brochure, image of the panel is accompanied by passages of classical writing.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Double sided. Print of twelve pen drawings that comprise of 'The Baby Who Would Not Apologise' by Cora Gordon. Reverse shows 'Anniversary Address' designed and executed by Robert Gibbings, with a small extract of an article.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of Jessie Bayes' 'The Earl King's Daughter Sending Faery Servants to Their Several Tasks'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of illuminated text from 'The Pilgrim's Progress' by M.C. Bowerley. Annotation on the lower right attributes the work to M.C. Bowerley.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Mounted print of a design for 'A Midsummer Night's Dream' by William Shakespeare. Quote above image says 'The fairyland buys not the child of me.'

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of Jessie Bayes' 'The Marriage of La Belle Melusine'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of pages from 'The Songs of Songs' by St. John Hornby and Florence Kingsford. Annotation in lower right corner states that the original piece was printed by St. John Hornby at the Ashendene Press and illuminated by Florence Kingsford.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Variety of reference materials, including prints and photographs of art works.

Print of 'Mary Kept All These Things in Her Heart' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Virgin and Child With Saints' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Presentation in the Temple' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Adoration of the Shepherds' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Print of 'The Youth of the Virgin' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of a folio from a Book of Hours. Calligraphic annotation on lower right corner states it is taken from a 14th century Italian manuscript, copied from the original manuscript at the Victoria and Albert Museum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Large folder with 4 pages of mounted life studies - illuminated initial from St. Augustine's commentary on the Psalms, written for Ferdinand of Aragon, 1480; calligraphic study of the Gospel Lectionary of Paris, late 13th century; studies of illuminated initials from Durandas De Divinis Officiis, late 14th century Italy; illuminated initial of Brevary of Latin in Serum. Annotations in the lower right corner of each page states that the designs are copied from manuscripts in the British Museum, and attributes their execution to Dorothy Doddrell. Cover of folder has 'Dorothy M.F. Doddrell' in calligraphic writing in upper right corner.

For items located inside this folder, please see related material.

Life drawings and sketches created by Dorothy Doddrell.

Study of male, upper right torso and head. Lower right corner annotation attributes the work to Dorothy Doddrell.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of a capital 'G'. Calligraphic annotation on lower right corner states it is taken from a late 13th century Flemish manuscript, copied from the original manuscript at the Victoria and Albert Museum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of cloth. Artist monogram on the lower right of image attributes the work to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of upper torso and head of figure with fan.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of illuminated initials on mounted paper. Annotation attributes their origin to a 14th century Latin bible.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Life drawing study of illuminated initials 'A' and 'D' on mounted paper. Annotation attributes the origin of these images to the Gospel Lectionary of Paris in the late 13th century, copied from the original manuscript located in the British Museum. Annotation attributes their execution to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Study of female, upper torso and head.

Originally located inside folder (DC 094/1/2/1).

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

Film by Callum and Fraser Rice which accompanies the exhibition by Jimmy Cosgrove ‘Looking for Signs: Ideas and Imagined Circumstances', Studio Pavilion (House for an Art Lover) 28 July - 16 September 2018, co-curated by Alison Harley, Fraser Taylor and Louise Briggs.

The exhibition explored the studio collection of Jimmy Cosgrove, and presented work spanning the early 1970s to new work created for the Studio Pavilion in 2018. Sketchbooks, travelogues, working ideas were included to show the span of work across design and the visual arts, pursued by Jimmy Cosgrove throughout his career at GSA.

Filmed in the context of the exhibition Cosgrove expands upon his ideas, working processes and contribution to design education at GSA, alongside his artistic contribution to the Scottish and Glasgow art scene of the early 1970s and into the mid 1990s, when he retired from GSA to continue working as an exhibiting artist.

A publication with invited contributions by practitioners and academics, accompanied the exhibition.

Drawing, 'The future as a large, overbearing ball of blackness'

Sculpture made from Portland stone. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.

Bronze statuette of male figure. Il Penseroso is a vision of poetic melancholy by John Milton.

Marble bust on plinth.

Tree-stump scene lithograph, 3/6.

'Maiden flight' artwork

'Jacobean' artwork

Oil portrait, quarter length, of John Murdoch, a Master at Glasgow School of Art from 1848 until his death in 1854.  Sitter is clean shaven, wearing a black bow tie and white winged collar shirt and dark jacket against a dark background. No visible signature of artist or identifying label on frame; donor believes that it may be a self portrait.

A number of sketches and photographs of works by William Meldrum.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.

Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.

The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.

In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.

By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.

In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.

The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.

The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.

Sketchbook submitted as part of the artist's submission to the Royal College of the Arts, London.