- NMC/0497
- Item
- 1928
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of trees.
Robertson, James Downie
Study of woman holding a plate.
Strang, William
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.
Alison, Henry Young
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
Wing Trace (A Gentle Hush Remembered)
Image of bird against abstract background.
Brown, Neil Dallas
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
Hutchison, Sir William Oliphant
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of Glasgow artist William Drummond Bone.
Bone, William Drummond
Flower composition.
Anderson, Daisy McGlashan
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Still life.
MacInnes, Jock
Waterfront Building, Walberswick, Suffolk
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Possibly the exterior of Newbery 's studio in Walberswick.
Newbery, Francis Henry
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.
Greiffenhagen, Maurice
Warkworth, Northumberland; view across river
"Warkworth, Northumberland" (in pen), bottom left.
Miller, Archibald E Haswell
Spain or Italy
Miller, Josephine Haswell
Probably in the Italian lakes.
Miller, Josephine Haswell
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Miller, Archibald E Haswell
Village with lake/river in foreground
Probably France. Another design, verso.
Miller, Josephine Haswell
"A E Haswell Miller 1924" (in pen), bottom left. Annotated by artist.
Miller, Archibald E Haswell
Village scene with cows in foreground
"Blair castle 17 Sept 41" (in pen), bottom right.
Miller, Josephine Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Josephine Haswell
View, possibly overlooking Florence
A study possibly of the Boboli Gardens, Florence.
Jackson, Alexander Logan
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape study. Signed verso: "View of Gourock Pier".
Christie, Fyffe
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of Venetian canal with figures on a bridge.
Jackson, Alexander Logan
Study of Venetian canal with female figure under a colonnade in foreground.
Jackson, Alexander Logan
Vase of flowers, with model ship
Still life of flowers in vase, with model ship in left foreground.
Anderson, Daisy McGlashan