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Teaching aids include collections of prints, photographs, and calligraphy examples.

Includes photographs collected by Alexander McGibbon, Charles Edward Whitelaw, and Eugene Bourdon. Also includes collection of cloud studies, copies of George Henry works, and miscellaneous photographs.

Head of Cherub with wings in relief in circular panel.

Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Foundling roundel, originally glazed blue and white terracotta. Original: Andrea della Robbia, 1487, at the Ospedale degli Innocenti, Florence, Italy. Annotated with numbers on reverse.

Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.

Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".

Matron with bambini, sea god, domestic animals (bull, sheep and frog). Original: Marble. Ara Pacis Augustae (Altar of Augustan Peace), Rome, Italy. Bears "Musées Nationaux Moulage, Paris" maker's stamp.

Modern panel, with alternating leaf and flowering plants. Original: Capitol, Rome.

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Original: Tullio Lombardo, c1851. Venice, Italy. Annotated ""Tullio Lombardo." and "205".

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Putti surrounded by symmetrical curling foliage. Thought to be c16th, Italian.

Plaque showing coat of arms with two sides. Original: Brunelleschi. Basilica di Santa Croce, Florence, Italy.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".