Glasgow School of Art: Archives & Collections

The Parthenon, Athens

NMC/0125
Item
1861

Part of Art, Design and Architecture collection

Study of the Parthenon.

Spiers, Richard Phené

Fragment of Greek Island Embroidery (Version 2)

NDS/F/21/v2
Part
18th century

Part of Records and textiles of the Needlework Development Scheme

Fragment of Greek Island Embroidery (Version 3)

NDS/F/21/v3
Part
18th century

Part of Records and textiles of the Needlework Development Scheme

Fragment (Version 3)

NDS/F/24/v3
Part
[18th century-19th century]

Part of Records and textiles of the Needlework Development Scheme

Sleeve (Version 1)

NDS/F/27/v1
Part
[18th century-19th century]

Part of Records and textiles of the Needlework Development Scheme

Plaster cast of female form

PC/198
Item
Mid 19th century-early 20th century

Part of Plaster Casts

Fragment of femal form, hips to shoulders. Hellenistic style.

*Not available / given

Plaster cast of Aristotle

PC/200
Item
Mid 19th century-early 20th century

Part of Plaster Casts

Original: Roman copy (2nd century bc) of a Greek original (c325 bc); currently in the collection of the Museo Nazionale Romano, Rome.

*Not available / given

Plaster cast of chimera in relief (Version 2)

PC/209/v2
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of chimera in relief (Version 4)

PC/209/v4
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of Parthenon Frieze

PC/016A
Item
19th century

Part of Plaster Casts

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

PC/016B
Item
19th century

Part of Plaster Casts

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of fragment of stele (Version 2)

PC/084/v2
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of miniature copy of the Parthenon Panathenaic frieze on framed panel

PC/088
Item
Mid 19th century-early 20th century

Part of Plaster Casts

Original: Possibly a cast of a copy after John Hennings miniature carvings of the frieze using the Parthenon Marbles and sketches made prior to the acropolis explosion.

*Not available / given

Greek Doric order

NMC/0341C
Item
1908

Part of Art, Design and Architecture collection

Details of Greek Doric order, from the Parthenon, Athens.

Wilson, William Gilmour

Doorway Erectheion, Athens

NMC/0723
Item
Jan 1950

Part of Art, Design and Architecture collection

Various studies of Greek columns, capitals etc.

Kerr, Robert

Plaster cast of Apollo Sauroctonos (Lizard Slayer) (Version 4)

PC/006/v4
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of Canephora (Kanephoros) (Version 1)

PC/007/v1
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of Charioteer of Delphi (Version 3)

PC/008/v3
Part
Mid 19th century-early 20th century

Part of Plaster Casts

Plaster cast of Laocoon and his Sons (Version 4)

PC/013/v4
Part
19th century

Part of Plaster Casts

Plaster cast of Nike of Samothrace (Winged Victory) (Version 4)

PC/015/v4
Part
20th century

Part of Plaster Casts

Plaster cast of Parthenon Frieze

PC/016K
Item
19th century

Part of Plaster Casts

Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.