Artwork by Andrew Allan, lithographic artist and student at The Glasgow School of Art, Scotland
- DC 006
- Collection
- 1882-1896
7 works of art, undated.
Allan, Andrew
9 results with digital objects Show results with digital objects
Artwork by Andrew Allan, lithographic artist and student at The Glasgow School of Art, Scotland
7 works of art, undated.
Allan, Andrew
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Gouache and ink painting of an abstract landscape on sketchbook page. Drawn Verso: line drawing in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of minimum 250 word length, by Clare Henry for The Glasgow Herald from March 1982 to June 1982, relating to visual art exhibitions in Glasgow and Edinburgh and Scottish regions including Ayrshire and Dumfries and Galloway.
A number of these reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, McLellan Galleries and includes review of the inaugural exhibition at Open Eye Gallery Edinburgh, and organisations: Fine Art Society and Glasgow Group. The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Rozelle House, Fruitmarket Edinburgh, Talbot Rice and Stills Gallery, Kelvingrove, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Huntarian Gallery Glasgow. The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including Edinburgh college of Art and Glasgow School of Art degree shows. Some articles focus on new art forms such as video, photography and performance art, craft such as Polish tapestries and other international artists from Canada and America.
This file also includes longer feature and perspective articles on: the new building for the National Galleries of Scotland, The Bath Contemporary Art Festival, George Rickey and a book review on Henri Matisse and Edward Burne Jones. In addition to these journalistic features there is a piece on The Portrait Gallery for National Galleries Annual Report. Also included is research, notes and data for Scottish Funding for Museums between 1979-1982 and Festival 82 acquisition and policies for television interview with Tim Mason.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1994, with weekly articles and some weekend features including a continuing series ‘My First Picture’ and ‘Collectors’ and a new weekly ‘Scope Feature’. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Coatbridge, Fintry and Castlemilk.
During the year Henry also covers art in Rome. Some reviews focus on exhibitions in London at Flying Colours Gallery, Royal Academy London, Annely Juda, Barbican, Saatchi Gallery London and Tate London and Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow, Out of the Blue Gallery Edinburgh and Intermedia Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh, Fuse and Transmission.
During this period Henry gives more context and opinion on Glasgow wins National Gallery of Scottish Art Fair, Architecture Bid for 1999 Edinburgh and Glasgow. Mike Hayes new Glasgow City Council director of planning. Gallery of Modern Art Glasgow building refurbishment. Milestones project Glasgow Govan Springburn. Her curatorial activity is also documented, Eleven Out of Ten Clare Henry Choice at National Gallery Scotland and Clare Henry's choice of GSA graduates at Main Fine Art Glasgow.
The exhibitions covered are solo shows, Owen Logan, Hock-Aun Teh, Jenny Saville, Damian Hirst, Duncan Shanks, Calum Angus Mackay, Annie Leibovitz, Helen Chadwick, and Christine Borland. Group shows The Bigger Picture, McLellan Galleries Glasgow, Bad Girls, CCA Glasgow, BT New Contemporaries, V-TOPIA, Tramway and New Art in Scotland, CCA Glasgow, Mayfest and Edinburgh Festival are also covered in detail. Catalogue essay for Alexandra Gardner, Duncan Miller Fine Arts, London. Other paperwork includes notes on ideas for Herald articles for Harry Reid and letter regarding new article formats and work load, a press release for Unbuilding exhibition merchant city, letter to Keith Bruce regarding Stanley Spencer show and feature articles, Glasgow Munich project press release and Letter to Herald picture desk and John Flower.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Argyll landscape with farm buildings.
Gorman, James
Graphic drawings for teaching pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs, featuring an interplay of waves and geometric shapes, were used as teaching materials in schools in Scotland, as marked the level of students "First year."
Murphy, Gerard V
Teaching examples of pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."
Murphy, Gerard V
Woodcut prints for teaching students
Part of Material relating to Gerard V Murphy, former GSA student
Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."
Murphy, Gerard V
Woodcut prints depicting the St George myth
Part of Material relating to Gerard V Murphy, former GSA student
Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.
Meldrum, William
Articles, reviews and features
Articles written for The Glasgow Herald and The Scotsman unless otherwise stated.
Hand written, typed draft copies and printed copies of around 40 articles of 300-1500 word length, by Clare Henry for The Glasgow Herald and The Scotsman, January-December 2000. During this period Henry worked between the UK and the USA with many of the articles feature British artists exhibiting in New York and California, including Andy Goldsworthy, David Mach, Peter Chang and Richard Long.
Also includes articles written for Sculpture Magazine, Interiors Magazine Craft Council Magazine and Art Newspaper, covering visual art craft, architecture and related news issues in Glasgow, Edinburgh and London. Henry gives more context and opinion on Talbot Rice Edinburgh, James Turrell in France and the Festival International de Sculpture de Monte Carlo Monaco, and obituaries for Robert Hopper and Michael Kenny.
Other paper work includes correspondence regarding Critics Choice exhibition, article proposals and notes for a television piece on Jack Vettriano.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 32 articles of 500-2000 word length, by Clare Henry for The Financial Times, January-December 2003. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 35 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2004. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 26 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2005. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
Henry, Clare
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing with three shades of grey gouache applied with gestural brush marks. Annotated verso: ink drawing of male and female figures "life drawing use of line", "25".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Sketchbook page with drawing on both sides. Black ink drawing of abstract figures and line on side one and abstract line drawing done with ink and pen nib on side two.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ink drawing of the female form on paper. On the reverse is a pencil drawing of a reclining female form with crosshatched shadows.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two designs. Both drawings showing abstract shapes and figure outlines. Drawn in charcoal and pencil and rendered in brown and blue gouache. On the reverse: pencil line drawing of shapes. Similar to DC 089/1/2/4/32.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and charcoal. One drawing shows an abstract painted background with a line drawing in charcoal depicting three figures.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Teaching material for pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.
Murphy, Gerard V
Teaching material for textile design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."
Murphy, Gerard V
Woodcut prints of pattern designs and drawings
Part of Material relating to Gerard V Murphy, former GSA student
Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."
Murphy, Gerard V
Photograph of a stream view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Artist's scrapbook belonging to J Mylne
Scrapbook with 218 pages containing works by
A list of all entries in the scrapbook, giving the page number:
I have just returned from London where I have been for a few days, else I should have answered your kind letter sooner. I shall be very happy to receive the balance which you tell me is in your hands, of the sum subscribed for the portrait of Bailie Moir [?] which I painted. I know there was some difficulty in getting up the money at last. Horatio McCulloch was my very intimate friend and I knew R.M., Cooper and Bill Mason and I.M. Donald, very well. Mason was a nephew of the Kembles, his mother being a sister of the great Mrs Siddons. He was a grand heavy looking fellow, but unfortunately took to the bottle and went to the D 1. The last time I saw him was in Tottenham Court road standing against a lampost haranguing a lot of little boys who were evidently bent on mischievous fun with the drunk man, but were awed by the grand Caricature [?] like style of poor Bill. I believe he is dead long ago.
I should very much like to see the Scrap books, and also the portrait of Allan Ramsay, is it Ramsay the father -the Pact [?] s Ramsay the son, the portrait painting.
The first time I'm in Glasgow I'll endeavour to let you know, and perhaps you will kindly show them to me.
Believe me, very truly yours...
Mylne, J
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 235 articles of 250-650 word length, by Clare Henry for The Glasgow Herald and Art Review January-December 1983, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen and Paisley, also including several reviews of exhibitions in London at ICA, Serpentine and Tate.
A number of the Scottish reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, Corners Gallery and J D Kelly Gallery and includes review of inaugural exhibition at The Burrell Collection Glasgow and organisations Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruit Market Edinburgh (at this time also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including The Glasgow School of Art Postgraduate degree show and design and textile exhibitions. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: John Bellany, Bruce Mclean, Memphis Design, an obituary on the artist Miro, The Burrell Collection opening and the opening of Transmission Gallery Glasgow.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1988, Art Review, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan, covering visual art exhibitions in Glasgow, Edinburgh, Stirling and Scottish regions. During the year Henry also covers art in Los Angeles, Yugoslavia, Siena, Venice, Dublin and India.
Some reviews focus on reviews of exhibitions in England, mostly London at Marlborough Gallery, Serpentine Gallery and Tate London. There are also reviews and features on the opening of Tate North, Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on Scottish Arts Council funding cuts at Compass Gallery. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission.
During this period Henry gives context and opinion on the condition of Glasgow’s Galleries in the lead up to Glasgow Capital of Culture *1990. Other feature and perspective pieces include: Richard Demarco, Fiona McLeod as new Fruitmarket director, Prince of Wales visit to The Glasgow School of Art, BBC week of British Art, McLellan Galleries refurbishment, Edinburgh International Exhibition and interview with Andy Goldsworthy. The exhibitions covered are solo shows, by artists Marie Barbour, Sol Lewitt, Mario Merz, Jacki Parry, Peter Howson, David Mach, Lucian Freud, Henry Moore in India and group shows Glasgow Photographers Group, New Scottish Art, and Old Master Paintings from the Thyssen Collection. Mayfest, Glasgow Garden Festival, Polish Realities Season and the Edinburgh Festival are also covered in detail.
Some correspondence also includes exhibition proposal to Royal Scottish Academy.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1993, with weekly articles and some weekend features including a new feature ‘My First Picture’. Articles also written for Art Review, World of Interiors and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stornaway, North Berwick, and Rutherglen. During the year Henry also covers art in Paris, Berlin and Venice. Some reviews focus on reviews of exhibitions in London Flying Colours Gallery, Flowers Gallery, Royal Academy London, Marlborough London, Whitechapel London, Barbican, Saatchi Gallery London and Tate.
A number of the Scottish reviews are for exhibitions at former galleries; Main Fine Arts Studio Gallery Gibson Street, JD Kelly Gallery, Gatehouse Gallery Glasgow and Intermedia Gallery Glasgow. The reviews also cover galleries; The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Art Politics in Glasgow and Scotland, Richard Demarco archive, Torrie Collection Sale, Edinburgh College of Art, Galerie Mirages Glasgow, Profile on Julian Spalding, Peter Howson Official war artist Bosnia, Venice Biennale, St Mungo Museum of Religious Life and Art Dovecot Tapestry Company exhibition. Other feature and perspective pieces on, Fuse, The Glasgow School of Art Friday Events, The Glasgow School of Art White Room, Martin Kemp Art Charter 2000, Transmission *10th Birthday on the Late Show BBC and several public art projects including Patricia Leighton and the M8 Art Project, Springburn Milestones, Sibyl von Halem.
Obituaries Elizabeth Frink and Marquis of Bute John Bute. The exhibitions covered are solo shows, Paula Rego, Alan Dunn, Niki de St Phall, William McTaggart, Dave Davies, Phil Braham, Peter Howson, Allan Davie, Douglas Gordon, Ken Currie, Tim Stead, David Hockney, Peter Howson, Gerald Laing, Steve Campbell, June Carey and Ken Currie. Group shows at Intermedia Gallery with Nathan Coley, Ross Sinclair, The Big Works at The Glasgow School of Art, Art Supermarket by Halinka Tyszko, Glasgow Group, FoTOfeis Scottish International Festival of photography and Edinburgh Festival are covered. Correspondence with Herald Editor Harry Reid. Commissioned essays for catalogues, The First 21 years, Glasgow Print Studios, Neil Macpherson and Boundary Gallery London
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 275 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald January-December 1995, with Monday weekly articles and a weekend feature art guide feature, including a continuing series ‘My First Picture’ and ‘Collectors’ and a new ‘Studio’ feature and several book reviews. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stirling, Aberfoyle and Castlemilk.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow. The reviews also cover galleries; Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Compass Gallery, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on: Jock McFadyen purchase by Glasgow Museum of Modern Art under Julian Spalding, Winner of Lord Provost prize is Jenny Saville and Jacqueline Donachie is Young Artist Winner of American Fulbright Award, Visual Arts Forum and Glasgow´s £100,000 Visual Art Fund, Tramway Glasgow, Concert Hall Glasgow Murals by Steven Campbell, Peter Howson, Ken Currie and Adrian Wiszniewski, Peter Howson’s designs for Don Giovanni by Scottish Opera, Glasgow Festival of Visual Arts 1996 launch and Deyan Sudjic appointed director of Glasgow 1999 year of design.
The exhibitions covered are solo shows by Callum Innes, Douglas Gordon, Janine Antoni, Jack Vettriano, Stuart Duffin and Marina Abramovic. Group shows reviews include Decade, Street Level Glasgow, In Stereo, Transmission Gallery Glasgow and Persistence of Painting, CCA Glasgow. Mayfest and Edinburgh Festival are also covered in detail as well as Celtic Connections and Fotofeis. Degree shows at Glasgow, Aberdeen and Dundee are covered. Catalogue essay for Bet Low and other paper work includes notes on pictures used and correspondence to Keith Bruce, Jackie McGlone and Ron Anderson at The Herald.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 28 articles of 1000-1500 word length, by Clare Henry for The Financial Times, January-December 2002. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York. Articles also written for Gabrius Magazine and The Sunday Herald. Other paper work includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 24 articles of 800-3000 word length, by Clare Henry for The Financial Times, January-December 2006. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 7 articles of 800-2000 word length, by Clare Henry for The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided drawing on sketchbook page. Side one shows a black ink drawing of cows grazing in a field, with gestural marks. Side two has a faint pencil drawing of leaves and a drawing in conte crayon on tracing paper and taped to the paper with masking tape.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in black ink with crosshatched lines and solid ink circles. Annotated verso "drawing of bay- quick almost child like drawing. Leaving the line as free as possible ignoring all detail- development, select lines and put into new format".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two drawings in charcoal, crayon, gouache and ink. Depicting a mountainous landscape with overdrawn figurative outlines. Annotated verso "Fraser Taylor 1980". Similar to DC 089/1/2/4/30.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided line drawing in black ink of figures drawn from life. Similar to DC 089/1/2/4/37.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Study of highland landscape.
Paterson, George William Lennox
Scotland is where England stores its oil
Photograph of Scottish Amicable building, Glasgow - with protestor holding placard.
Hoare, Roger
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and ink. One drawing shows an abstract painted background of horizontal lines and two stylised figures, one made from tracing paper and the other tissue paper. Annotated verso "Project figure shapes over landscape. tissue paper + line -colour- blue etc. Shadows- more extreme shapes- skirts etc. draw free mix materials". "wax line. earthy colour- small areas of bright colour".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided drawing on sketchbook page. Side one shows a line drawing of figures in black ink, with a rendered background in grey and pink gouache. Side two displays two line drawings of the same female form, one in black ink and the other in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Sketchbook page with line drawing in ink of figure and abstract shapes. On the reverse: pencil outline of abstract shapes.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Material relating to Gerard V Murphy, former GSA student
Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."
Murphy, Gerard V
Graphic designs for school magazines
Part of Material relating to Gerard V Murphy, former GSA student
Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."
Murphy, Gerard V