Artwork by Andrew Allan, lithographic artist and student at The Glasgow School of Art, Scotland
- DC 006
- Collection
- 1882-1896
7 works of art, undated.
Allan, Andrew
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Artwork by Andrew Allan, lithographic artist and student at The Glasgow School of Art, Scotland
7 works of art, undated.
Allan, Andrew
Records of Gillespie, Kidd and Coia Architects
The collection consists of job files, photographs, architectural drawings and plans for projects undertaken by the architectural firm of Gillespie, Kidd and Coia between c1933 and 1987. There are also general office files containing correspondence, account papers, ephemera and artefacts.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Gillespie, Kidd and Coia
Corner of Handkerchief (Version 1)
Part of Records and textiles of the Needlework Development Scheme
Samples of needle-lace fillings
Part of Records and textiles of the Needlework Development Scheme
Scottish. Sixteen samples, one of which is signed 'E McG 1837'. Worked by E McGaan of Ayrshire, 1837. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
McGaan, E
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Gouache and ink painting of an abstract landscape on sketchbook page. Drawn Verso: line drawing in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of minimum 250 word length, by Clare Henry for The Glasgow Herald from March 1982 to June 1982, relating to visual art exhibitions in Glasgow and Edinburgh and Scottish regions including Ayrshire and Dumfries and Galloway.
A number of these reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, McLellan Galleries and includes review of the inaugural exhibition at Open Eye Gallery Edinburgh, and organisations: Fine Art Society and Glasgow Group. The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Rozelle House, Fruitmarket Edinburgh, Talbot Rice and Stills Gallery, Kelvingrove, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Huntarian Gallery Glasgow. The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including Edinburgh college of Art and Glasgow School of Art degree shows. Some articles focus on new art forms such as video, photography and performance art, craft such as Polish tapestries and other international artists from Canada and America.
This file also includes longer feature and perspective articles on: the new building for the National Galleries of Scotland, The Bath Contemporary Art Festival, George Rickey and a book review on Henri Matisse and Edward Burne Jones. In addition to these journalistic features there is a piece on The Portrait Gallery for National Galleries Annual Report. Also included is research, notes and data for Scottish Funding for Museums between 1979-1982 and Festival 82 acquisition and policies for television interview with Tim Mason.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1994, with weekly articles and some weekend features including a continuing series ‘My First Picture’ and ‘Collectors’ and a new weekly ‘Scope Feature’. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Coatbridge, Fintry and Castlemilk.
During the year Henry also covers art in Rome. Some reviews focus on exhibitions in London at Flying Colours Gallery, Royal Academy London, Annely Juda, Barbican, Saatchi Gallery London and Tate London and Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow, Out of the Blue Gallery Edinburgh and Intermedia Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh, Fuse and Transmission.
During this period Henry gives more context and opinion on Glasgow wins National Gallery of Scottish Art Fair, Architecture Bid for 1999 Edinburgh and Glasgow. Mike Hayes new Glasgow City Council director of planning. Gallery of Modern Art Glasgow building refurbishment. Milestones project Glasgow Govan Springburn. Her curatorial activity is also documented, Eleven Out of Ten Clare Henry Choice at National Gallery Scotland and Clare Henry's choice of GSA graduates at Main Fine Art Glasgow.
The exhibitions covered are solo shows, Owen Logan, Hock-Aun Teh, Jenny Saville, Damian Hirst, Duncan Shanks, Calum Angus Mackay, Annie Leibovitz, Helen Chadwick, and Christine Borland. Group shows The Bigger Picture, McLellan Galleries Glasgow, Bad Girls, CCA Glasgow, BT New Contemporaries, V-TOPIA, Tramway and New Art in Scotland, CCA Glasgow, Mayfest and Edinburgh Festival are also covered in detail. Catalogue essay for Alexandra Gardner, Duncan Miller Fine Arts, London. Other paperwork includes notes on ideas for Herald articles for Harry Reid and letter regarding new article formats and work load, a press release for Unbuilding exhibition merchant city, letter to Keith Bruce regarding Stanley Spencer show and feature articles, Glasgow Munich project press release and Letter to Herald picture desk and John Flower.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Free hand coloured drawings for different vernacular buildings in Scotland and England: Greenock, Fife, and Cumbria. The aim of these drawings is to study and understand the materials used at that type of buildings which are locally produced and manually built establishing Scottish vernacular building style.
Platt, Christopher
Sketchbook created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape.
Platt, Christopher
Sketchbook containing free-hand sketches created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape. These drawings show architectural details from indoor and outdoor views as self-observation undertaken by the student.
Platt, Christopher
Scrapbook containing material collected throughout Christopher Platt's study at The Mackintosh School of Architecture. Contents include different articles, photos, and subjects from different magazines and other sources.
Platt, Christopher
A church in a Scottish county town
Front elevation, cross section. 3rd year Glasgow School of Architecture design.
Wright, James
Design for wall hanging depicting Hebridean village (Version 2)
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company. Printed for the Foulis Archive Press, Glasgow School of Art by David J. Clark Ltd, Glasgow. Features artwork by Norman Wilkinson, 1925. The date of the poster is unknown but is believed to be the 1920s.
*Not available / given
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company. Printed for the Foulis Archive Press, Glasgow School of Art by David J. Clark Ltd, Glasgow. Features artwork by Norman Wilkinson, 1925. The date of the poster is unknown but is believed to be the 1920s.
*Not available / given
Argyll landscape with farm buildings.
Gorman, James
Catterline, etc: Prints & Negs
Folder containing black and white and colour negatives, contact sheets and photographs. Most have been annotated. Includes: Catterline, Crail (colour negatives), Glencoe and Rannoch Moor.
Oliver, George
Landscape Various Not Glasgow Prints
Folder containing black and white photographs of landscapes taken by George Oliver. Some have been annotated. Includes: Brasov and Bucharest (Romania), Grangemouth, Aberdeen and various Scottish countryside scenes.
Oliver, George
Articles, reviews and features
Articles written for The Glasgow Herald and The Scotsman unless otherwise stated.
Hand written, typed draft copies and printed copies of around 40 articles of 300-1500 word length, by Clare Henry for The Glasgow Herald and The Scotsman, January-December 2000. During this period Henry worked between the UK and the USA with many of the articles feature British artists exhibiting in New York and California, including Andy Goldsworthy, David Mach, Peter Chang and Richard Long.
Also includes articles written for Sculpture Magazine, Interiors Magazine Craft Council Magazine and Art Newspaper, covering visual art craft, architecture and related news issues in Glasgow, Edinburgh and London. Henry gives more context and opinion on Talbot Rice Edinburgh, James Turrell in France and the Festival International de Sculpture de Monte Carlo Monaco, and obituaries for Robert Hopper and Michael Kenny.
Other paper work includes correspondence regarding Critics Choice exhibition, article proposals and notes for a television piece on Jack Vettriano.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 32 articles of 500-2000 word length, by Clare Henry for The Financial Times, January-December 2003. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 35 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2004. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 26 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2005. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
Henry, Clare
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Includes a coloured print of a female with a period outfit, large thistle beside her, and a hat with a feather that says "Alasdair and Morag hope Veronica has a happy Christmas and 2012" around her.
Gray, Alasdair