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Folder containing black & white negatives and contact sheets of photographs by George Oliver. Most are annotated. Various subjects. Includes: Scottish Arts Council Collection, University of Stirling, Murals in Bridgeton, Normam Ackroyd etchings and June Redfern.

Cordelia Oliver's collection of posters for exhibitions and events. Please note this material has not been fully catalogued to item level and may therefore not be accessible to researchers. One item, a poster for Perth Theatre, was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some have been annotated. Includes: 2 copies of a photograph of Joan Earley painting of small boy with hands in pockets and 2 photographs of a Glasgow street scene.

Folder containing 49 black and white photographs of exhibitions held at the Third Eye Centre, taken by George Oliver and of various sizes. Most are annotated. Includes: 'Crawford and Company' curated by Cordelia Oliver, Joan Eardley exhibition and John Bellany exhibition.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

Work produced during time on the junior non-diploma course.

Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.

Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.

Ring-bound volume of various designs documenting Mount Florida School, Glasgow; including 'tipped-in' drawings by children.

Ringbound sketchbook (with board covers) comprising 24 pages. Multiple subjects including Glasgow and Paris.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Glasgow street scene, featuring cars in front of tenement building.

Image of Glasgow public house.

Scrapbook with 218 pages containing works by

• John Wilson Ewbank (1)
• J. Finnie (1)
• Rev. John Thomson of Duddingston (1)
• Archibald Alison (1)
• I.M. Donald (14)
• G. Huntly Gordon (1)
• John Crawford Brown (5)
• Robert Maxwell Cooper (19)
• W. Gordon (2)
• Andrew MacLure (2)
• William D. K. Mason (8)
• and J. Mylne

A list of all entries in the scrapbook, giving the page number:

• Inside cover bookplate's message: Robb, Glasgow J. Mylne
• Frontispiece
• P.1 (i) Tib M'Cauly's Yae Son by Stumps with illustrations [ink, with decorative sketches]
• P.2 (i-v) Printed etchings, possibly of scenes from novels and decorative vases
• P.3 Two watercolours, unsigned - (i) A street scene - shows ruined houses (ii) Rural scene - two men by a tower
• P.5 Two watercolours, unsigned - (i) A street scene, shows houses (poss. continental) (ii) Coastal scene with sea and sky
• P.7 Two watercolours, unsigned - (i) Rural scene - lane with houses (ii) Maritime scene - fishing boats on beach with hills behind
• P.9 Two watercolours, unsigned - (i) Church/abbey (ii) River valley with fisherman
• P.11 Two watercolours, unsigned - (i) Fishing boat by harbour (poss. Egyptian) (ii) Woodland, name on back -G. Gower/Gowie
• P.12 (i) Print of etching, entitled George Cruickshank (ii) Watercolour of Mediterranean scene (i-iv) Cuttings from papers and magazines
• P.13 (v) Pencil drawing of cottage and ruined tower, signed R. Leslie (vi-vii) Cuttings of etchings
• P.15 (i-iii) Copies of etchings, including animals, a ruined cathedral and the doorway to the Hall of Eltham Palace
• P.17 (i) Watercolour of woodland and castle
• P.19 (i) Ink sketch of three figures, initialed IMD for JMD] (ii) Pencil sketch of buildings & square, initialed WDKM (iii) Pencil sketch of forest and cottage, initialed RMC
• P.20 (i) Watercolour sketch of head, initialed RMC
• P.21 (i) Pencil sketch, with slight watercolour, initialed RMC (ii) Watercolour of seascape (on reverse - pencil drawing of a hand holding a rod)
• P.23 (i) Pencil drawings of figures & heads, given as R.M. Cooper (ii) Watercolour, entitled Lakes of Scotland, signed J. Stenning/ Staining/Sterning [?]
• P.25 (i) Watercolour and pastels of boat on river, with bridge, unsigned
• P.27 (i) Prints of crests and coats of arms, D. Gavin, 18 North Bridge (ii) Print of an engraving of Benjamin Franklin, by T. Wright
• P.29 (i) Pencil sketch of decorative scroll and outline of face (ii) Cuttings from papers and magazines (iii) Print of engraving of Capt. James Cook by T. Wright
• P.31 (i) Print of engraving (ii) Print of engraving/etching of battle preparation (iii) Watercolour of urn initialed RMC [Bob Cooper written beside]
• P.33 Watercolour of woman and child, initialed RMC [Also written - 17 Sannay 18..]
• P.35 (i-v) Prints of engravings and drawings, including stylised figures of animals for scrolls
• P.37 (i) Pencil sketch of landscape (ii-iv) Prints
• P.39 (i) Watercolour of boat at sea, signed H. Brolanski [?] (ii) Print (iii) Pencil sketch, entitled Near Bothwell, unsigned
• P.41 (i-v) Prints (vi) Pencil sketch of river scene, initialed IMD for JMD]
• P.43 (i) Watercolour of a town, signed W. Gordon (ii) Print (iii) Watercolour of an urn, initialed RMC
• P.45 (i) Watercolour of head of a man
• P.47 (i) Print (ii) Watercolour, entitled The Keep, Avon Water, initialed IMD
• P.49 (i) Sketch, with watercolour wash, signed Adamo Sveicart (ii) Pencil sketch, with light watercolour, initialed RMC
• P.51 (i-ii) Prints, (i) -Melrose Abbey (iii) Watercolour of head of a man, initialed IMD
• P.53 (i) Pencil sketch of head of D. White, by RM Cooper [note by side -David White was a Manufacturer, Princes Square, Buchanan St., Glasgow, c.1842] (ii) Pencil sketch Elskie Elshender, the Black Dwarf's Cottage initialed by IMD (iii) Pencil sketch of a river bank, initialed IMD
• P.55 (i) Watercolour head initialed J. ME (ii) Watercolour of a studio/attic. Written underneath is "W. Gordon" and "Probably W.D.K. Mason" (iii) Print
• P.57 (i) Watercolour of two figures, coat of arms and a garden, initialed RMC (ii) Pencil sketch, Near Govan signed J.C. Brown
• P.59 (i) Watercolour and ink sketch of a town on a riverbank, signed Mason [?] (ii) Pencil and Pastel sketch of soldier in a helmet, signed R. Leslie
• P.61 (i) Ink sketch, Trossachs (sic), initialed JC.B. (ii) Pencil sketch of a child, initialed RMC (iii) Pencil sketch of a man, signed A. Maclure [note at side - Andrew Maclure & Maclure & Macdonald] (iv) Pencil and watercolour sketch of male figure holding a book, Hutcheson's Hospital, initialed RMC
• P.62 (i) Pencil sketch of woman, initialed RMC
• P.63 (i) Pencil sketch of woman, initialed RMC (ii) Pencil and ink sketch of woman, initialed RMC [Written in bottom right corner - 1838 & 1835, Neil/Nell McDougall] (iii) Pencil sketch of man in a room, initialed RMC
• P.64 (i) Letter to James Robb, Bank of Scotland, Cross Branch, Glasgow From Daniel Marshall [?], 6 Learmonth Terrace, Edinburgh, 28 February 1880
• Transcript
  dear Sir

I have just returned from London where I have been for a few days, else I should have answered your kind letter sooner. I shall be very happy to receive the balance which you tell me is in your hands, of the sum subscribed for the portrait of Bailie Moir [?] which I painted. I know there was some difficulty in getting up the money at last. Horatio McCulloch was my very intimate friend and I knew R.M., Cooper and Bill Mason and I.M. Donald, very well. Mason was a nephew of the Kembles, his mother being a sister of the great Mrs Siddons. He was a grand heavy looking fellow, but unfortunately took to the bottle and went to the D 1. The last time I saw him was in Tottenham Court road standing against a lampost haranguing a lot of little boys who were evidently bent on mischievous fun with the drunk man, but were awed by the grand Caricature [?] like style of poor Bill. I believe he is dead long ago.

I should very much like to see the Scrap books, and also the portrait of Allan Ramsay, is it Ramsay the father -the Pact [?] s Ramsay the son, the portrait painting.

The first time I'm in Glasgow I'll endeavour to let you know, and perhaps you will kindly show them to me.
Believe me, very truly yours...

• P. 65 (i) Pencil and ink sketch, dated 1826, initialed by RMC (ii) Ink sketch of man, signed "Yours Presently WKM" (iii) Ink sketch of a harbour, initialed IMD (iv) Ink sketch of easel, jug and painting, signed "Yours Truly, W Mason"
• P.66 (i) Pencil sketch of a woman, initialed IMD (ii) Ink sketch of a dog and an easel, written on the easel - "A splendid set of pups, mostly black. I would like to see that picture of Duncan's", signed Thomson *P.67 cntd. (iii) Pencil sketch of draped female figure, initialed IMD (iv) Ink sketch of soldier carrying rifle; inset -head of a man, and other inset - landscape, initialed IMD (v) Pencil sketch of man's head, entitled H Lane - Artiste [?], signed IMD
• P.68 (i) Press cutting from 1 Sep 1930 - "A Little Scottish Diary -The Painting Parson": -Describes the life of John Thomson of Duddingston, 1778-1840, a landscape painter
• P.69 (i) Pastel sketch for portrait of a man, initialed IMD (ii) Watercolour of a loch. Written underneath - Mr Thomson, Duddingston
• P.72 (i) Watercolour of Scottish countryside, signed A. Dunn
• P.73 (i) Print (ii) Ink sketch of a river valley, initialed J.C.B. (iii) Pencil sketch of Cadzon Forrest, signed J.C. Brown [Note on page - J.C. Brown of Edinburgh]
• P.77 (i) Watercolour of fisherman, initialed RMC (ii) Print (iii) Pencil sketch of part ruinous building, initialed IM. Noted below - Neidpath Castle (iv) Pencil sketch of 2 men in Scottish costume
• P.79 (i) Print entitled Chateau de Lismore (i) Pencil sketch with flap on front, initialed IMD (ii) Watercolour of mountainous landscape, signed W. Gordon
• P.81 (i-ii) Prints of engravings
• P.83 (i) Print (ii) Pencil sketch of fox and a pheasant, initialed NMG [?] [On reverse - signed James N. Ewen]
• P.85 (i-ii) Prints
• P. 87 (i-ii) Prints
• P.89 (i-ii) Prints
• P.91 (i) Print (ii)Rough pencil sketch of a cottage [loose]
• P.93 (i) Print (ii) Watercolour of a tower
• P.95 (i-ii) Prints
• P.97 (i) Print
• P.99 (i) Print (ii) Pencil sketch of nude [illegible signature]
• P.101 (i-ii) Prints
• P.103 (i & iii) Prints (ii) Watercolour of old man's head
• P.105 (i-ii) Prints (iii) Watercolour portrait, in profile. Inscribed Littlejohn Pirit [?], 1807
• P.107 (i) Watercolour of trees
• P.109 (i-ii) Prints (iii) Pencil diagram of decorative wall panel, with note below: "The above is a slight idea of what I would suggest for the panels. The grey ground just polished and afterwards painted upon. ICH" (iv) Pencil sketch of interior of a room - "Sevastopolis Drawing-room, Bayswater", signed Duncan Murray [loose]. Verso -pencil sketch of panel (v) Pencil sketch of decorative ceiling with doors and chimney noted
• P.111 (i-iii) Prints
• P.113 (i) Ink sketch with watercolour wash of seated woman with two children
• P.115 (i) Pencil sketch of baby sleeping, entitled Mossman Jnr. Note underneath "done in 1840, now John Mossman. Dec 1886 (ii) Watercolour -landscape [possibly Edinburgh], signed, Kelsey [?]
• P.117 (i-ii) Prints (iii) Pastel/crayon sketch of landscape, signed J. Finnik
• P.119 (i & iii) Prints (ii) Pencil sketch of a monument, initialed AMcC [annot. A McClure]
• P.121 (i) Pencil sketch of panels, showing two churches and a donkey (ii) Pencil and crayon sketch of shepherd with sheep
• P.123 (i) Pencil sketch entitled A View from near Utrecht in Holland, early 1820 (ii) Watercolour of a bridge over a gorge, signed Ewbank [annot. - the late John Ewbank, RSA]
• P.125 (i) Pencil sketch of a town, entitles Sketch by the author of Hills of Europe, signed Sir A. Alison (ii) Pencil sketch of factories and workmen [note underneath hartist Meetings, Geo. Forrester]
• P.127 (i) Pencil and pastel sketch of man, entitled Adolphus Keeste by Macpherson
• P.129 (i) Print
• P.131 (i) Pencil sketch of battle scene, signed J. Mason (ii) Print
• P.133 (i) Watercolour of woman's head, initialed RMC (ii) Pencil sketch of column, with male figure (iii) Watercolour of boats on a river, passing under a bridge, signed W. Gordon
• P.135 (i) Pencil sketch of mythical scene
• P.137 (i) Pencil sketch of street scene [noted above - College Open, High St., Glasgow]
• P.139 (i) Print of Robert Bums, d.1859 (ii) Pencil sketch of seated nude male, initialed IMD [?]
• P.141 (i) Pencil sketch of river, with fishermen in foreground
• P.143 (i) Pencil sketch of cottage with cow in foreground, initialed RMC [?]
• P.144 (i) Watercolour entitled Loch Long, signed J.C. Brown
• P.147 (i & ii) Pencil drawings of leaves. Noted underneath freehand "Design, John Milne, St. Enoch's School 1854"
• P.149 (i) Pencil sketch of forest glade, with a deer in centre
• P.151 (i) Watercolour of village with castle
• P.153 (i) Watercolour of ruined tower. Numbered 1322, initialed GG, 1823
• P.155 (i) Watercolour of Loch Tay
• P.157 (i)Watercolour of figures, signed WDK Mason
• P.158 (i) Print
• P.159 (i) Pencil and ink sketch entitled South east side of Dumbarton castle looking up the Clyde, signed RM Cooper
• P.160 (i) Watercolour entitled Castle Carrick, Loch Long, 182..
• P.163 (i) Watercolour of building in forest, entitled at Woodside
• P.165 (i) Print of Sir Robert Peel P.166 P.169
• P.166 (i) Pastel and Pencil sketch of hillside
• P.169 (i)Watercolour/crayon [?] of bridge, initialed GG, 1813. Noted by side - G. Gordon, Partick Bridge, erected by Crawford
• P.171 (i) Pencil sketch of woodland glade, signed RM Cooper
• P.173 (i) Print
• P.177 (i) Print
• P.179 (i) Print (ii) Pencil sketch od a landscape, initialed WDKM
• P.181 (i) Print
• P.182 (i) Pencil sketch of cottage (ii) Print
• P.184 (i) Print
• P.191 (i) Tracing of moulding showing floral and leaf design [loose]
• P.195 (i) Pencil sketch of Egyptian Mummy Case with details of colours, design, etc. [loose]
• P.197 (i) Watercolour of landscape
• P.199 (i-ii) Prints
• P.201 (i) Print
• P.203 (i) Print
• P.205 (i) Pencil sketch of house and gardens entitled Burnside.. Verso ketch of mill [possibly child's drawing] [Loose]
• P.207 (i) Watercolour of flowers. Verson - "JJ Milne from his father, 1852 [Loose]
• P.208 (i) Pencil sketch of man, signed J. Milne, 1833. Also written - Jas. Milne, 1833
• P.209 (i) Pencil sketch (as above), signed John Mylne, 1857
• P.211 (i) Writing Paper from Somerset House, with decorative print of Somerset House, d. 1 June1842 [Loose] (ii) Pencil drawing of flower [tulip?], signed James McLachlan, 1 Mar 1853 [Loose]
• P. 212 (i) Watercolour landscape, entitled 28 Sept, Ochils, 1854 [?]. Written below - G. Gordon
• P.214 (i) Watercolour landscape. Written below - W. Jordon
• Loose at Back - (i) Trace for etching (ii) Pencil sketch of cottages entitled No.5 Free Sketch, signed JH Mylne, 1865 (iii) Pencil and pastel sketch of large building (chateau-like) with statues on roof, signed JH Mylne, 1864
• Back leaf (i) Pencil and crayon drawing of Biblical scene [?], signed Jai/Jas/Jac Pynas/Binas [?]

Includes:

Minutes, 1971-1981

Correspondence, 1971-1976

Treasurer's reports, 1972-1974

Catalogues of exhibitions, 1971-1979

Ephemera - invites etc., 1971-1979

GLA Exhibition posters, 1974-1979

Slide pack of members work, n.d.

Colour photographs of members work, 1978-1979

Photographs of GLA members, 1978-1979

Colour photographs of exhibitions of members work, 1974

GLA Print Pack, c1971-1981

Film - We're all Big Boys Now - a quick look at the GLA, 1974

Presscuttings, 1971-1974.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A Retrospective read at the Jubilee Dinner in the Club House, 151 Bath Street, 30 November 1917.

This collection includes:

• Board minutes including company accounts, 1984-1987
• Auction catalogues, prices, photographs and item descriptions, 1992-1995
• Exhibition records including correspondence, publicity materials and photographs relating to exhibitions of works by Daghani, Nicholas Fairbairn, Brenda Lenachan, Frederick Ost, Kathleen Daly, Frank Lloyd Wright, David Hockney, Dominique Moreau, Constructed Space, Liz Knox, Scott Kilgour and Ray Charles White, Adrian Wiszniewski, past and future exhibitions, 1987-1997
• Correspondence with J Reynolds, Honeyman, Hugh Fraser, Nolde, Stephen Lee, Richard Demarco, J Campbell Brady, Wyndham Lewis and other sample files, 1988-1994

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Sketchbook including illustrations of landscapes and abstract landscapes, mostly from Morvich and Rothesay. Including printouts from jimmycosgrove.files.wordpress.com from 2016.

Sketchbook, drawings of figures, some loose inserts. Inside of front cover states "Jimmy Cosgrove Glasgow School of Art 1983". Inside of back cover states "Jimmy Cosgrove Rome Notebook 1982".

Publication created in January 2021 from Wing Hong Creative Residency, a partnership project between GSA Community Engagement and the Wing Hong Chinese Elderly Centre in Garnethill, Glasgow. Alaya Ang created the publication to capture the project which developed a series of creative and collaborative activities with service users at the Wing Hong centre, with the aim of exploring themes of ageing, ageism and isolation.

The project took place during October and November 2020 in the midst of the Covid-19 pandemic, which meant many of the activities had to be adapted to be conducted remotely. This publication is a look into the process and preservation of the delicate experience of life during the lockdown through the participants eyes, that aims to illustrate the strength and joy of the Chinese elderly with the creative and sustaining power of art.

Publication includes Chinese text and English text. The cover reads "A reunion in the place where you are".