- NMC/0042H
- Item
- 05 May 1923
Fenced field.
Pringle, John Quinton
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Fenced field.
Pringle, John Quinton
Woman with hat.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Country skyline.
Pringle, John Quinton
Houses and skyline.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Open flats.
Pringle, John Quinton
Study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Unfinished study of trees.
Pringle, John Quinton
Landscape study.
Pringle, John Quinton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study.
Pringle, John Quinton
Two country landscapes (folded).
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of woods in Milngavie, near Glasgow. Verso: 'Edge of a wood, Milngavie', John Laurie, 4 Somerset Place Mews Glasgow G3.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Corfe Castle, viewed from Corfe Castle Parish Church tower. Verso: To my friends Mary and Allan D. Mainds/ Corfe Castle Dorset/ A Souvenir from the Artists/ 1919.
Newbery, Francis Henry
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.
William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.
Meldrum, William
Part of Papers of James Cosgrove
15 small paintings mounted on card. Landscapes, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
10 small paintings mounted on card. Landscapes, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, still life, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, still life, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, one portrait.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, portraits, and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
Abstract landscape, depicting hills. Signed "Cosgrove '72".
Cosgrove, James
Part of Papers of James Cosgrove
Abstract landscape. Signed "Cosgrove '72".
Cosgrove, James
London Notebook and Travel Journal
Part of Papers of James Cosgrove
Inside front cover is inscribed "This is one for London, March 2015". Includes sketches of figures, and landscapes.
Cosgrove, James
Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
Royal College of Art Sketchbook
Part of Papers of James Cosgrove
Includes drawings and landscape paintings and sketches, notes and designs of the playground, Grounds for Play, and the Art Park centre for Art and Heritage at House for an Art Lover, Bellahouston Park, Glasgow. Also includes a series of 14 photographic reproductions of acrylic paintings of landscapes.
Cosgrove, James
Line Drawings/ Landscape/ Brooches
Part of Papers of James Cosgrove
Further title, 'Odds and Ends'. Sketches, printed and annotated poems, and stories. Designs of Landscape Brooches. Notes at the back of sketchbook regarding the history of the House for an Art Lover.
Cosgrove, James
Part of Papers of James Cosgrove
Illustrations, sketches, collage, including some loose drawings stored in the back pocket. Includes landscapes, seascapes, and portraits, and some writing about the weather.
Cosgrove, James
Part of Papers of James Cosgrove
Drawings and paintings, including landscapes and figurative representations.
Cosgrove, James
Part of Papers of James Cosgrove
Contains sketches, notes and stories, including writing on airports. Some pages headed 'Las Fallas, Valencia, March 2005' and 'Route 66'. Includes sketches for a landscape series.
Cosgrove, James
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Artist's scrapbook belonging to J Mylne
Scrapbook with 218 pages containing works by
A list of all entries in the scrapbook, giving the page number:
I have just returned from London where I have been for a few days, else I should have answered your kind letter sooner. I shall be very happy to receive the balance which you tell me is in your hands, of the sum subscribed for the portrait of Bailie Moir [?] which I painted. I know there was some difficulty in getting up the money at last. Horatio McCulloch was my very intimate friend and I knew R.M., Cooper and Bill Mason and I.M. Donald, very well. Mason was a nephew of the Kembles, his mother being a sister of the great Mrs Siddons. He was a grand heavy looking fellow, but unfortunately took to the bottle and went to the D 1. The last time I saw him was in Tottenham Court road standing against a lampost haranguing a lot of little boys who were evidently bent on mischievous fun with the drunk man, but were awed by the grand Caricature [?] like style of poor Bill. I believe he is dead long ago.
I should very much like to see the Scrap books, and also the portrait of Allan Ramsay, is it Ramsay the father -the Pact [?] s Ramsay the son, the portrait painting.
The first time I'm in Glasgow I'll endeavour to let you know, and perhaps you will kindly show them to me.
Believe me, very truly yours...
Mylne, J