- DC 089/3/4/2/108
- Item
- 1983-1987
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 4)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 24)
The Magazine: Volume 1 (Page 32)
The Magazine: Volume 1 (Page 35)
The Magazine: Volume 2 (Page 1)
The Magazine: Volume 2 (Page 9)
The Magazine: Volume 2 (Page 12)
The Magazine: Volume 2 (Page 13)
The Magazine: Volume 2 (Page 16)
The Magazine: Volume 2 (Page 21)
The Magazine: Volume 2 (Page 24)
The Magazine: Volume 2 (Page 28)
The Magazine: Volume 2 (Page 38)
The Magazine: Volume 2 (Page 39)
The Magazine: Volume 2 (Page 43)
The Magazine: Volume 2 (Page 44)
The Magazine: Volume 2 (Page 47)
The Magazine: Volume 2 (Page 51)
The Magazine: Volume 2 (Page 53)
The Magazine: Volume 2 (Page 60)
The Magazine: Volume 2 (Page 64)
The Magazine: Volume 2 (Page 65)
The Magazine: Volume 3 (Page 1)
The Magazine: Volume 3 (Page 5)
The Magazine: Volume 3 (Page 16)
The Magazine: Volume 3 (Page 17)
The Magazine: Volume 3 (Page 23)
The Magazine: Volume 3 (Page 29)
The Magazine: Volume 3 (Page 31)
The Magazine: Volume 3 (Page 32)
The Magazine: Volume 3 (Page 34)
The Magazine: Volume 3 (Page 36)
The Magazine: Volume 3 (Page 42)
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 63)
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie