The Magazine: Volume 1 (Page 37)
- MC/A/15/1/p37
- Part
- 1893
The Magazine: Volume 1 (Page 37)
The Magazine: Volume 1 (Page 38)
The Magazine: Volume 1 (Page 39)
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The Magazine: Volume 2 (Page 20)
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The Magazine: Volume 2 (Page 26)
The Magazine: Volume 2 (Page 27)
The Magazine: Volume 2 (Page 29)
The Magazine: Volume 2 (Page 33)
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The Magazine: Volume 2 (Page 48)
The Magazine: Volume 2 (Page 49)
The Magazine: Volume 2 (Page 52)
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The Magazine: Volume 3 (Page 48)
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Mackintosh sketchbook (Page 8)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 9)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 16)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 20)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 23)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 31)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 33)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 37)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 39)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).
MacNair, Frances Macdonald
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
Lampshade for Library, Glasgow School of Art - Medium Canister (Version 1)
Mackintosh, Charles Rennie
Lampshade for Library, Glasgow School of Art - Medium Canister (Version 4)
Mackintosh, Charles Rennie