Design for a classical building/temple
- NMC/0375.007
- Item
- 1890-1896
Front section of building.
Bourdon, Eugene
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Design for a classical building/temple
Front section of building.
Bourdon, Eugene
Plan of building set in formal gardens.
Bourdon, Eugene
Design for a single storey building
Elevation of building.
Bourdon, Eugene
Plan and sketch elevation of buildings.
Bourdon, Eugene
Circular auditorium.
Bourdon, Eugene
Design for a restaurant complex
Building plan showing various dining rooms/cafes.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Detail of ironwork.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Facade and sections of building.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Longitudinal section of building.
Bourdon, Eugene
Measured drawing of screen in front of vestry.
*Not available / given
Cross-section of building.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Classical facade with arched doorway.
Bourdon, Eugene
Detail of decorative doorway.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Back elevation/cross-section of building.
Bourdon, Eugene
Detailing of metal forms.
Bourdon, Eugene
Plan of building complex.
Bourdon, Eugene
Section of building with separate villa.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Technical drawing.
Bourdon, Eugene
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
Detail of door panel/ironwork.
Fulton, James Black
Design for Glasgow School of Art: east/west elevations
Architectural drawing showing east elevation, west elevation and section through library. The East elevation was little changed in the process of building, but by the time the West elevation came to be executed 1906-09, Mackintosh's ideas had altered radically.
Mackintosh, Charles Rennie
Chimney stacks.
Pringle, John Quinton
Male figures.
Pringle, John Quinton
Figures and profiles.
Pringle, John Quinton
Figures embracing.
Pringle, John Quinton
Design for the Grand Hall, Glasgow International Exhibition, 1901
The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'
Mackintosh, Charles Rennie
Scroll work detail.
Pringle, John Quinton
Male face profiles.
Pringle, John Quinton
Couple flying kites.
Pringle, John Quinton
Woman with baby.
Pringle, John Quinton
Female face profiles.
Pringle, John Quinton
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Nude female figure.
Pringle, John Quinton
Scroll work detail.
Pringle, John Quinton
Gas lamp details.
Pringle, John Quinton
Includes three thumbnail double portraits.
Pringle, John Quinton
Includes three thumbnail double portraits.
Pringle, John Quinton
Male face profiles.
Pringle, John Quinton
Male face profiles.
Pringle, John Quinton
Female figures.
Pringle, John Quinton
Study of Feet.
Pringle, John Quinton
Head profile.
Pringle, John Quinton
Various figures.
Pringle, John Quinton
Study of main facade.
Fulton, James Black
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
Bronze horses, St Marks, Venice (The Triumphal Quadriga)
Study of equine statue.
Fulton, James Black
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Design for Glasgow School of Art: plan of basement floor - East wing
Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.
Mackintosh, Charles Rennie