- NMC/0145B
- Item
- 1972
View of the Basilica from across the square.
Selby, Frederick
View of the Basilica from across the square.
Selby, Frederick
Female model kneeling, left arm outstretched.
Selby, Frederick
Female model kneeling, left arm outstretched.
Selby, Frederick
Female model, arms around knees.
Selby, Frederick
Ostrich - animal studies (Version 1)
Elephant and crocodile - animal studies (Version 1)
Elephant and crocodile - animal studies (Version 2)
Study of olive trees.
Selby, Frederick
View over Venetian rooftops, looking towards St Marks Basilica.
Selby, Frederick
Three soliders sitting at a table.
Selby, Frederick
Drawing of a man, probably a soldier.
Selby, Frederick
Modern building with balconies. Two figures to right.
Selby, Frederick
Scotland is where England stores its oil
Photograph of Scottish Amicable building, Glasgow - with protestor holding placard.
Hoare, Roger
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Seascape with rocks in foreground, land in mid-ground.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of cliff face.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Still life with doll and silver tea pot.
Anderson, William Smith
Portrait study of bearded man.
Herbert, Joanna Lethem
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Vase of flowers.
Alison, Henry Young
Sandy shoreline with headland in distance.
Alison, Henry Young
Alison, Henry Young
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Collage design featuring many figures similar in composition to DC 089/2/3/6. A multitude of papers varying in texture, colour and density. Figures are collaged to the surface of the papers and shaded using black conte crayon and paint. The composition features blue, red and browns.
Taylor, Fraser
Youngblood, Judy
Selby, Frederick
Selby, Frederick
Conditional Probability Machine
Untitled (Unimate and Egg).
Paolozzi, Sir Eduardo Luigi
Conditional Probability Machine
Untitled (School Bus).
Paolozzi, Sir Eduardo Luigi
Conditional Probability Machine
Untitled (Broken open dummy skeleton).
Paolozzi, Sir Eduardo Luigi
Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of various doors and windows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of bridge with buildings beyond. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Schotz, Benno