- NMC/0042G
- Item
- 1923
Woman with hat.
Pringle, John Quinton
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Woman with hat.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Abstract skyline.
Pringle, John Quinton
Miller, Archibald E Haswell
Probably Scotland.
Miller, Josephine Haswell
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Unfinished study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
View of small town with church and halls in the distance.
Bliss, Douglas Percy
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Corfe Castle, viewed from Corfe Castle Parish Church tower. Verso: To my friends Mary and Allan D. Mainds/ Corfe Castle Dorset/ A Souvenir from the Artists/ 1919.
Newbery, Francis Henry
Artwork
Dick, Jessie Alexandra
Miller, Archibald E Haswell
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Tall tree.
*Not available / given
Cottage.
*Not available / given
Extract from sketchbook (Version 1)
Extract from sketchbook (Version 2)
Town by a loch.
*Not available / given
Two trees.
*Not available / given
Extract from sketchbook (Version 3)
Blue sky, purple mountains.
*Not available / given
Grey sky, mountains and buildings.
*Not available / given
Blue sky, rocky mountain.
*Not available / given
Cottage in landscape.
*Not available / given
Cover. NMC/169B-G are watercolours on individual pages from another sketchbook. NMC/169H-K are sketches from a sketchbook, without a cover. NMC/169L-V are sketches on individual pages from the same sketchbook as the cover, NMC/169A.
*Not available / given
Extract from sketchbook (Version 4)
Purple mountains, loch.
*Not available / given
Valley with snow.
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Landscape with cottage.
Raeburn, Agnes
Oil painting of Scottish quayside scene
McCance, William
Landscape with doves.
Raeburn, Agnes
Woodland paths.
McGlashan, Archibald A
Landscape study.
Pringle, John Quinton
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Strang, William
Etching.
Baird, Johnstone
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of sand dunes.
Cadenhead, James
Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.
William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.
Meldrum, William
Drawing of the bridge and abbey.
Anderson, Agnes
Drawing of church or minster, with herd of cattle in foreground.
Anderson, Agnes
Castle in landscape with figures. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David