Diploma study: design for a pilgrimage chapel
- NMC/0375.048
- Item
- 1895
Plan of building.
Bourdon, Eugene
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Diploma study: design for a pilgrimage chapel
Plan of building.
Bourdon, Eugene
Diploma study: design for a pilgrimage chapel
Plan of building.
Bourdon, Eugene
Sketch plan and elevation of building.
Bourdon, Eugene
Plan and sketch elevation of building.
Bourdon, Eugene
Front elevation of building.
Bourdon, Eugene
Doorway detail. Design submitted for the Prix de Rome.
Bourdon, Eugene
Sketch plan and elevation of memorial.
Bourdon, Eugene
Shrine with harbour buildings and lighthouse beyond.
Bourdon, Eugene
Plan of building complex.
Bourdon, Eugene
Design for an academic building with auditoria
Double plan of building.
Bourdon, Eugene
Diploma study: design for pilgrimage chapel
Sketch plan of building.
Bourdon, Eugene
Plan of building.
Bourdon, Eugene
Plan of building.
Bourdon, Eugene
Diploma study: design for pilgrimage chapel
Design for a confessional.
Bourdon, Eugene
New Botanical Laboratories, University of Glasgow
Glasgow University extension. Plan of ground floor. Perspective view looking to University Avenue.
Scott, John Oldrid
Panelled Room from 27 Hatton Gardens, London
Full size detail of door-case.
Beveridge, Thomas Johnston
Architectural details.
Danek, Boleslaw
Study of cloisters.
McGibbon, Alexander
Williamwood House, Netherlee, Glasgow
Exterior of house from driveway.
T & R Annan & Sons Ltd
View of cinema cafe/dining room.
T & R Annan & Sons Ltd
Axonometric projection.
Kerr, Robert
Time sketch no.2. Various studies; elevation, section, plan etc.
Kerr, Robert
Final sketch. Various studies; plans, elevation, section etc.
Kerr, Robert
Various studies, plans, elevation, section etc.
Kerr, Robert
Various studies of English Renaissance architecture.
Kerr, Robert
Various studies of Greek columns, capitals etc.
Kerr, Robert
High School for Girls, Garnet Street, Glasgow
View of building from Cancer Hospital, Hill Street.
Kerr, Robert
Royal Cancer Hospital, Hill Street, Glasgow
Entrance to building.
Kerr, Robert
Print of castellated tower and archway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Study of late 19th Century Glasgow building by John James Burnett.
McGibbon, Alexander
Shops and flats - working drawings
Section AA/Section through stair. Elevation to the west.
Ferguson, Hugh C S
Glass fronted building overlooking water. Boat in foreground.
Ferguson, Hugh C S
English.
Ferguson, Hugh C S
Technical drawing.
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Folder for containing Glasgow Cathedral Chapter House works. Front reads:
'Measuring One.
H.G.S. Ferguson 2121 1st year diploma
1954-55
Glasgow Cathedral Chapter House'
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Measuring two - chapter house.
Ferguson, Hugh C S
Sheet No.1 - plan showing site layout.
Ferguson, Hugh C S
Sheet No.2 - working mens' hostel.
Ferguson, Hugh C S
Sheet No.3 - elevation to river.
Ferguson, Hugh C S
Photograph of a drawing that appears in La Revue Moderne magazine
Photograph of a drawing of a London residential property by Ferguson which appeared in the French magazine, La Revue Moderene, of March 1972.
Ferguson, Hugh C S
Study of main facade.
Fulton, James Black
Plate 1 Ground & First Floor Plans from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.The central feature of the house is the large hall - two storeys high - communicating directly with the dining room, reception and music room, which can be adapted to provide a stage. On the South side a terrace room runs outside the reception and music room. On the North side are the entrance, the hall and dining room, which are separated by a moveable partition. On the upper floor, the principal bedroom suite is partitioned off in the South-East corner; numerous guest rooms are provided and a playroom is in the attic above the childrens' bedrooms. The kitchen and servants' rooms are in the basement.
Mackintosh, Charles Rennie
Plate 1 Ground & First Floor Plans from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.The central feature of the house is the large hall - two storeys high - communicating directly with the dining room, reception and music room, which can be adapted to provide a stage. On the South side a terrace room runs outside the reception and music room. On the North side are the entrance, the hall and dining room, which are separated by a moveable partition. On the upper floor, the principal bedroom suite is partitioned off in the South-East corner; numerous guest rooms are provided and a playroom is in the attic above the childrens' bedrooms. The kitchen and servants' rooms are in the basement.
Mackintosh, Charles Rennie
Plate 2 East & West Elevations from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. Muthesius in his introduction to the 'Meister der Innen Kunst' portfolio, stresses the impact and novelty of Mackintosh's design. 'The exterior architecture of the building... exhibits an absolutely original character, unlike anything else known... The mass of the building consists of a large plain black, without any breaking up of the walls, the effect being sought for in unbroken uniform surfaces... the windows have the appearance of accidental openings deeply recessed in the walls... Ornament, save in two or three places, is conspicuously absent, all allurements being sternly repressed in order that the desired effect of plainness reticence and therewithal of mystery and height, might be revealed as strongly as possible.
Mackintosh, Charles Rennie
Plate 5 View from South-East from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.Muthesius in his introduction to the 'Meister der Innen Kunst' portfolio, stresses the impact and novelty of Mackintosh's design. 'The exterior architecture of the building... exhibits an absolutely original character, unlike anything else known... The mass of the building consists of a large plain black, without any breaking up of the walls, the effect being sought for in unbroken uniform surfaces... the windows have the appearance of accidental openings deeply recessed in the walls... Ornament, save in two or three places, is conspicuously absent, all allurements being sternly repressed in order that the desired effect of plainness reticence and therewithal of mystery and height, might be revealed as strongly as possible.
Mackintosh, Charles Rennie
Plate 9 Music Room with Piano & Fireplace from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. When the dividing partition between the reception and music rooms was removed, these two elevations would have faced each other. The piano with its fantastic superstructure, is on of Mackintosh's most elaborate inventions, based on the organ at Craigie Hall (Roger Billcliffe). 'This instrument is before everything else a piece of decorative art, and is designed to match the rest of the room... four tall corner posts, crowned with groups of figures and reaching to the ceiling, form a sort of baldachin round it. The front is composed of an oval framework containing a tall thin female figure flanked by roses, with a pair of doves meeting overhead. This fanciful composition is supported artistically by two large decorative panels on the walls on either side of the piano, representing two highly spiritualised Astarte-like figures.' (Muthesius). The large projecting fireplace on the opposite wall is a more elaborate version of that in the Mains Street drawing room. Its decoration consists principally of a pair of tall upright candelabra; the inlaid panels above are by Margaret Macdonald.
Mackintosh, Charles Rennie