Charcoal drawing of female nude, sitting in an armchair and leaning forward over arms folded on knees, forehead resting on arms and hair falling forwards.
Charcoal and pastel drawing of of a long haired female nude sitting on a cube shaped plinth and seen from the rear. Signed and dated by the artist, bottom left corner.
Charcoal and pastel drawing on paper of a standing female nude with arms resting behind her back. The figure stands to the left of the picture, in deep shadow. Winner of the Benno Schotz prize.
Two pictures of seaside shelters mounted together, one mixed media, one pastel and pencil. The larger picture shows an open sided hexagonal structure shown against dark water with a distant horizon. High viewpoint.
Charcoal drawing on paper of a female figure sitting side-on to a table, and looking out at the viewer, with a glass on the table in front of her. Light from window behind throws part of her face into deep shadow. High viewpoint makes the foreground seem steeply raked towards the viewer.
Drawing of a wreath detail, probably from Glasgow Institute of Fine Art, the name of which is recorded on the sheet along with the note, 'bronze effect'.
One sheet with a series of pencil sketches, source photographs attached, recording movement. Handwritten note at the foot of the sheet records the date April 1997, 'the arms swing like gyroscopes to balance the action, contrapposto is not just a concept but a fact of movement'
A pencil sketch of a young man working in the sculpture workshop. A hand written label on the reverse reads, 'John Murdoch sketch by himself at Glasgow School of Art when a student.' In another hand, the dates 1824 - 1954 have been added. On the backing sheet, another note reads,' John Murdoch (1824 - 1854) Self portrait at Glasgow School of Art when Rector.'
Oil portrait, quarter length, of John Murdoch, a Master at Glasgow School of Art from 1848 until his death in 1854. Sitter is clean shaven, wearing a black bow tie and white winged collar shirt and dark jacket against a dark background. No visible signature of artist or identifying label on frame; donor believes that it may be a self portrait.
Pencil and watercolour picture of Canterbury Cathedral. Pencil note records, 'completed on the spot, Jas.B.Fulton, (shows evidence of having been folded in half.)
