The Magazine: Volume 1 (Page 17)
- MC/A/15/1/p17
- Part
- 1893
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 16)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 14)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 9)
The Magazine: Volume 1 (Page 8)
The Magazine: Volume 1 (Page 7)
The Magazine: Volume 1 (Page 6)
The Magazine: Volume 1 (Page 5)
The Magazine: Volume 1 (Page 4)
The Magazine: Volume 1 (Page 3)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 1)
Plaster sculpture.
Barr, James
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
Female portrait study.
Clapham, Georgina
View of harbour with moored boats.
Edgar, Norman
Francis H. Newbery's application to be Head Master of The Glasgow School of Art
Francis H. Newbery's application to the Committee of Management of The Glasgow School of Art and Haldane Academy to be Head Master of the School.
Newbery, Francis Henry
Photograph of Haswell Miller portraying a male figure
The photograph features Archibald Haswell Miller holding a palette and standing in front of nude male portrait.
*Not available / given
Card for The Glasgow Art Students Tryst
Two copies of the card for The Glasgow Art Students Tryst for Belgium and the Red Cross dating to the 29th and 30th of January.
Greiffenhagen, Maurice
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Collage design featuring many figures similar in composition to DC 089/2/3/6. A multitude of papers varying in texture, colour and density. Figures are collaged to the surface of the papers and shaded using black conte crayon and paint. The composition features blue, red and browns.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Brown paper with abstract shapes adhered to the surface in a lighter colour. A figurative shape is collaged in green coloured paper and shaded in black conte crayon. Pieces of drawing are rendered in black paint. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Artist book: '2 Short stories of love and hair' (Page 1)
Artist book: 'Small drawings' (Page 1)
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary