- DC 091/1/1/4
- Item
- 27 May 1957
Line and tone pencil drawings. 4 side profile views of fellow students.
Cameron, Dugald
3519 results with digital objects Show results with digital objects
Line and tone pencil drawings. 4 side profile views of fellow students.
Cameron, Dugald
Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.
Cameron, Dugald
Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.
Cameron, Dugald
Pencil line drawing of a piano in a living room.
Cameron, Dugald
Pencil line drawing of a bookcase.
Cameron, Dugald
Pencil tonal drawing of a male face.
Cameron, Dugald
Student work created during general course years 1 and 2
Work produced during first year of general course.
Cameron, Dugald
Self portrait, tonal pencil drawing of head and shoulders. Also features sketches at the side, working out proportions of nose. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Cameron, Dugald
Tonal drawing in pencil of two men. 1 from life, a fellow classmate. 1 copy from a classic.
Cameron, Dugald
Self portrait, tonal pencil drawing of head and shoulders. Small sketch of lips to the left side of the drawing. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Cameron, Dugald
Self portrait, tonal drawing of head and shoulders. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.
Cameron, Dugald
Tonal life drawing of a male in pencil. With a proportions sketch at the right side of the drawing and some notes.
Cameron, Dugald
Pencil drawing of a violin and bow. Small proportion sketch to the left of drawing.
Cameron, Dugald
Painting featuring two planes and two men. Trees, buildings and clouds can be seen in the background.
Cameron, Dugald
Painting of woman with a water jug
Copy of a classic, Vermeer's 'Woman with a water jug'. Black, white and grey painting.
Cameron, Dugald
Copy of a classic, Vermeer's 'Woman in Blue'. Black, white and grey painting.
Cameron, Dugald
Pencil drawing of a bird. Small sketches of feet and wings at the bottom of drawing.
Cameron, Dugald
Pencil drawing of a tree branch with leaves and buds.
Cameron, Dugald
A study and copy of images from the book 'Grammar of Ornament', by Owen Jones, published by Bernard Quaritch. Two colour drawings and some hand written text discussing Egyptian ornament and decoration.
Cameron, Dugald
Tonal drawing of a woman sitting holding her left knee. View from left side. A sketch and some notes also feature on the back of the page.
Cameron, Dugald
Tonal drawing of a man resting his left arm on his left knee. View from left side.
Cameron, Dugald
Tonal drawing of a woman sitting twisting her body to the left . Left side view. 4 boxes forming a frame have been drawn around the image.
Cameron, Dugald
Tonal drawings of 3 figures, 2 female and 1 male.
Cameron, Dugald
Tonal drawing of a male figure, facing away from the page.
Cameron, Dugald
Tonal drawing of a female figure with her foot on a box, side profile. Drawing created by memory.
Cameron, Dugald
Tonal drawing of a man sitting on a plinth/box on a stage, left/back view. Technical sketches and measurements/notes are on the back of the page.
Cameron, Dugald
Tonal drawing; torso of a man sitting, twisting to left side. Face on view. A faint sketch of the outline of a face is to the left of the drawing. 3 boxes forming a frame have been drawn around the image.
Cameron, Dugald
Drawing in red chalk and pencil of a lady seated, forward facing view.
Cameron, Dugald
Drawing of aircraft, U.S. Air Force C133A
Pencil drawing of an aircraft, side view. With buildings in the background and figures, for scale.
Cameron, Dugald
Colour pencil drawing of aircraft, KLM Royal Dutch Airlines PH-LLA. Left side view.
Cameron, Dugald
Drawing of U.S. Air Force aircraft 62001
Colour pencil drawing of aircraft, U.S Air Force Military Air Transport Service 62001. Left side view.
Cameron, Dugald
Drawing of aircraft from left side view. Some sections of the drawing show the inside of the aircraft, similar to a cutaway drawing. Highly detailed linework.
Cameron, Dugald
Drawing of an aircraft, Sabena Belgian airlines Boeing 707 00-SJA. Left side view. Notes, calculations and measurements feature on the bottom of the page.
Cameron, Dugald
Drawing of female, side profile
Pencil tonal drawing of a female, side profile. Also features a small sketch of an aircraft at the bottom.
Cameron, Dugald
Life drawing of a male figure with hands behind his back facing to the left, left side view.
Cameron, Dugald
Life drawing of a male figure facing away from the artist with his right arm extended out, drawing created from memory.
Cameron, Dugald
Biggar, Helen Manson
Biggar, Helen Manson
Biggar, Helen Manson
Biggar, Helen Manson
Biggar, Helen Manson
Biggar, Helen Manson
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1996 with Monday weekly articles and a weekend feature art guide feature, including a short ‘Studio’ feature and regular book reviews. Articles also written for Art Extra covering visual art exhibitions in Glasgow, Edinburgh, and Kirkcudbright, Aberdeen, Stirling, Aberfoyle, Castlemilk, Dumfries, Dunfermline and Aberfoyle. Exhibitions in London, Venice, Geneva and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery and Streetlevel Glasgow, as well as publicly funded galleries: Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on, for example: the new Gallery of Modern Art Glasgow, Ian Cook new Glasgow Royal Concert Hall murals, Borrowed Light Public Art Project, row over Mackintosh show at McLellan Galleries, the opening of the new House for an Art Lover, Douglas Gordon wins Turner Prize, Copenhagen 1996 City of Culture and Charles Rennie Mackintosh in New York. The exhibitions covered are solo shows: Dalziel & Scullion, Ross Sinclair, Alberto Giacometti, George Wyllie, Callum Innes, Willie Rodger, Martin Parr, Annette Heyer, Jimmy Boyle, Victoria Morton and Andy Goldsworthy.
Group shows include British Art Show and Film Culture at Tramway. Edinburgh Festival is covered in detail as well as Glasgow Art Fair, Glasgow International festival of design and Manifesto International Festival of Design. Profiles on Earl Haig, Bridget Riley, Don and Eleanor Taffner. Also includes obituaries for Helen Chadwick and David Donaldson.
Also included are catalogue essays for Highland Printmakers Inverness, Transmission Gallery Glasgow, and other paperwork includes notes on pictures used and correspondence to Jackie McGlone at Arts Extra, Keith Bruce and Bob Jeffery at The Herald, with Caledonian Newspapers, Sandy Moffat and Sam Ainsley at The Glasgow School of Art plus invitations to press openings in Venice.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie