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Sketchbook page with line drawing in ink of figure and abstract shapes. On the reverse: pencil outline of abstract shapes.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Two sided drawing on sketchbook page. Side one shows a black ink drawing of cows grazing in a field, with gestural marks. Side two has a faint pencil drawing of leaves and a drawing in conte crayon on tracing paper and taped to the paper with masking tape.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract drawing with three shades of grey gouache applied with gestural brush marks. Annotated verso: ink drawing of male and female figures "life drawing use of line", "25".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract drawing in black ink with crosshatched lines and solid ink circles. Annotated verso "drawing of bay- quick almost child like drawing. Leaving the line as free as possible ignoring all detail- development, select lines and put into new format".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Two sided line drawing in black ink of figures drawn from life. Similar to DC 089/1/2/4/37.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Two sided drawing on sketchbook page. Side one shows a line drawing of figures in black ink, with a rendered background in grey and pink gouache. Side two displays two line drawings of the same female form, one in black ink and the other in pencil.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ink drawing of the female form on paper. On the reverse is a pencil drawing of a reclining female form with crosshatched shadows.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Sketchbook page with drawing on both sides. Black ink drawing of abstract figures and line on side one and abstract line drawing done with ink and pen nib on side two.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

A composition of 4 figures in various poses. Outline of figures drawn in hot glue and painted Black. Small pieces of paper collaged to surface and painted in a cream coloured gouache. Flecks of pink and blue paint in background.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in peach and white (possibly hand-painted).

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in a red-ochre and dark peach (possibly hand-painted).

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, painted on textiles and mounted on board. In this pull of the print the figure outlines have been printed in a pale shade which almost matches the backing textile. There is no fill for the figures, only some patches of colour, possibly hand painted, in a red-ochre shade.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, painted on textiles and mounted on board. Only four of the figure outlines have been filled with colour.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Artwork on paper created during Fraser Taylor's time as a student at the RCA.

Pencil drawing of figurative sculptures over overlaid with crayon drawings of flowers.

A two sided drawing in charcoal and graphite pencil on white paper. One side features drawings of figurative sculptures from antiquity displayed on plinths. Featuring the head of an Egyptian style sculpture and torso. The other side is a composition in pencil showing sculptures on plinths and lilies in the foreground.

A drawing in graphite pencil of an ancient sarcophagus with the head rendered in white correction fluid. The drawing also features half of a figure with patterned dress and background. Annotated verso: "leather figure of a man." with drawing.

This material mainly relates to Ted Odling's time teaching at The Glasgow School of Art from the 1950s to the early 1980s. It contains the following items:

• Copy of a staff photograph, 1950
• CD ROM titled 'family scene part 2', 1956-68
• 9 x letters from Ted Odling to Harry Barnes, sent whilst on a Leverhulme travel award, 1965
• 4 x folders of lecture notes / preparatory material covering perception, anatomy and perspective amongst other subjects, 1970s-80s
• A letter from Ted Odling to Mr Garbett of Ulster Polytechnic regarding Ted Odling's external assessors report, July 1981
• Loose notes on stereo television
• 1 x notebook
• 38 x colour wheels
• 3 x colour swatches (red, blue and green)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

Work produced during time on the junior non-diploma course.

Line and tone pencil drawings. 5 side profile views of fellow students.

Line and tone pencil drawing of a male cast.

Line and tone pencil drawing of a female cast. Created for a class test.

Line and tone pencil drawings. 4 side profile views of fellow students.

Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.

Line and tone pencil, observational drawing of trees situated in Kelvingrove Park.

Pencil line drawing of a piano in a living room.