Large scale textile work, 'Drawn Out', designed to be stretched over a frame allowing the central neck opening and sleeves to pull forward from the rest of the work. Digitally printed in greyscale and black on stretch cotton fabric. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number.
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number.
Unhemmed printed cotton banner for GSA Degree Show 2001. Digital image of mouth and section of face in pink and purple. Text in black and pink. List of degree show sponsors: Campari, Beat 106 Non-stop, Gordon Yuill and Company. Also has logo of printing company, Stork Digital Print and job number, and the logo of Glasgow School of Art Centre for Advanced Textiles.
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
Striped cotton jumpsuit in cream, light and dark green, light and dark lilac, and khaki. The design of the garment suggests that the material was dyed to suit. Strapless fitted bodice with darts opening to wide legged trousers which gather at the ankles in a decorative thread weave cuff. Lace tie fastening on the front of the bodice with braided cord made from coloured threads that match the material. The garment demonstrates a variety of pattern cutting and construction skills and was probably made for a Glasgow School of Art fashion show.
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.
Cape sleeved jacket with long, mermaid style fishtail made of an iridescent synthetic fabric lined with green synthetic silk and decorated with strands of couched wool in a fish scale design. Thought to have been made and used as a costume for a masque or play at The Glasgow School of Art in the early-mid 20th century.
Framed display of pink and black embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery C_Black and Pink" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
Framed embroidery of geometric design with orange, pink, purple, blue, and green thread on a purple background. Back of frame has label from "The Present Gallery, 16 Broomgate, Lanark", stating artist "Margaret McFarlane" and title of work "Broken Diamonds".
Framed display of navy and green embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery A_Navy and Green" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19. The digital images attached to this record are of stencils which were loose inside the front cover of the book, and not pages of the book itself.
This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
Transparent organdie shadow work panel for a dress salon. Design features a dressmaker's dummy and vase with flowers. Previously displayed in a glass and wooden frame. Designed to be hung against a window.
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is green in colour.
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is teal in colour.
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Book showing design for wall hanging (NMC/1571A). Labelled 'NDS' and on reverse 'Design: E.Lounsbach'. Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Wall hanging, L-R design shows street of houses with mountains behind, church, trees, stone cross, cows and shore with moon. Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.