Plaster cast of panel decorated with putti and birds
- PC/169
- Item
- Mid 19th century-early 20th century
Part of Plaster Casts
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Plaster cast of panel decorated with putti and birds
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Plaster cast of decorated pilasters of a doorway
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Plaster cast of architectural fragment
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Plaster cast of border panel with foliage
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Plaster cast of large foliage panel (Version 2)
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Plaster cast of stele (Version 1)
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Plaster cast of capital decorated with acanthus leaves
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Capital in with three sides of curling leaves ornamentation.
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Plaster cast of capital decorated with acanthus leaves (Version 1)
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Plaster cast of fragment of column with dragon-like creature
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Plaster cast of chimera in relief (Version 5)
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Modern panel, with alternating leaf and flowering plants. Original: Capitol, Rome.
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Plaster cast of a spandrel showing censing angel
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Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 2)
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Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 1)
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Plaster cast of Sarcophagus of Giustina
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Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
D Brucciani & Co
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
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Plaster cast of Mother and Child (Version 1)
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Plaster cast of Virgin and Child roundel
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Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel (Version 1)
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Plaster cast of figure of Ashurnasirpal II in relief holding a poppy (Version 1)
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Plaster cast of figure of Ashurnasirpal II in relief holding a poppy (Version 2)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 2)
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Plaster cast of relief altarpiece of Adoration of the Magi (Version 2)
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Plaster cast of panel scene with figures
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In relief. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's stamp.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of panel scene with figures (Version 1)
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Plaster cast of fragment with foliage (Version 1)
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Plaster cast of architrave with foliage (Version 1)
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Plaster cast of architrave with foliage (Version 3)
Part of Plaster Casts
Plaster cast of architrave with foliage (Version 5)
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Plaster cast of architectural fragment with leaf ornament
Part of Plaster Casts
Probably from an arcitrave. Oval shapes with decorative leaves. Bears "Musée de Sculpture Comparée du Trocadero, Paris, 1910" maker's stamp. Annotated "352" (carved).
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of architectural fragment with leaf ornament (Version 1)
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Plaster cast of architectural fragment with leaf ornament (Version 2)
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Plaster cast of pilaster capital (Version 3)
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Plaster cast of Gothic capital (Version 1)
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Plaster cast of upper section of pointed arch
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Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's mark.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of ornamental boss
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Annotated "D Brucciani & Co London" and "3".
D Brucciani & Co
Plaster cast of ornamental boss (Version 3)
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Plaster cast of cornice decorated with egg and dart motif (Version 2)
Part of Plaster Casts
Plaster cast of cornice decorated with egg and dart motif (Version 4)
Part of Plaster Casts
Plaster cast of cornice decorated with egg and dart motif (Version 2)
Part of Plaster Casts
Plaster cast of decorated panel with stylised leaves (Version 1)
Part of Plaster Casts
Meacci, F
Plaster cast of panel with bambini (Version 6)
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Plaster cast of panel with bambini (Version 7)
Part of Plaster Casts
Plaster cast of the Dead Christ Tended by Angels (Version 2)
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Plaster cast of Virgin and Child
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Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 1)
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Plaster cast of Cantorie Panels
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Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
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