- NMC/1023
- Item
- 1944
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of the artist with light brown hair in green sweater. Prize winner of Guthrie Prize.
Oliver, Cordelia
3509 results with digital objects Show results with digital objects
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of the artist with light brown hair in green sweater. Prize winner of Guthrie Prize.
Oliver, Cordelia
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape of bridge over canal.
Oliver, Cordelia
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Cityscape.
Morrison, James
Portrait of Hugh Adam Crawford
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Hugh Adam Crawford, in white tunic, bearded.
Oliver, Cordelia
Portrait of Iain Sweeney/Young Nationalist
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Annand, Louise
Suite of 9 works.
Richmond, Cathy
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 170 articles of 350-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1986, Art Review, and her first for The Guardian from August 1986 for visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. The Guardian listings focus on reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery as well as a review for the closing of Corners Gallery Glasgow and the 70th Birthday of Cyril Gerber. The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Aberdeen Art Gallery and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as Alfred Loos, John Bellany and Peter Wilson. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow and the Edinburgh Festival.
This file also includes longer feature and perspective articles for Art Review and her research for STV when she visited Canada at the invite of Canada Council to Vancouver to Calgary/Ottawa/Toronto/Montreal and New York. Some personal correspondence in also included from Bet Low.
[i]Articles written in this year which are not present in the archive:
Aug Edinburgh Festival, Artists at Work
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1992, with weekly Monday, Friday and some weekend features including a new feature ‘Herald Weekend Out’. Articles also written for Art Review, Conservation Management, Harpers & Queen and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kilmarnock, St Andrews, Kirkcudbright, Ayr, Aberdeen, Wick and Kinross. During the year Henry also covers art in Cambridge, Egypt, Amsterdam.
Some reviews focus on exhibitions in London at, for example, Flying Colours Gallery, Anderson O’Day Gallery, Mercury Gallery London, ICA London, Victoria Miro London, Jackson Gallery London, Duncan Miller Fine Arts London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Aquarium Glasgow, JD Kelly Gallery, Gatehouse Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Mercury Gallery and Talbot Rice, Graeme Murray Fine Art, Shore Gallery Leith, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh, Project Ability and Transmission. During this period Henry gives more context and opinion on the failed Glasgow bid for Capital of Art 1996, restructure of Glasgow Museums under Julian Spalding, Scottish Art Schools, Pavel Buchler appointment as Head of Fine Art at The Glasgow School of Art, a series on Scottish Art in Private Collections.
Other feature and perspective pieces include: Allan Davie, Richard Demarco appointment as Professor at Kingston Polytechnic London, the theft of Lowry V.E Day painting from Kelvingrove, Tony Jones former director of The Glasgow School of Art appointment at Royal College London, The Burrell Collection Glasgow opening, British American Arts Association conference, Jenny Geddes Memorial by Merlyn Smith at St Giles Edinburgh, a profile on William Hardie, House for an Art Lover by Charles Rennie Mackintosh opening. Obituaries on Francis Bacon, Jon Schueler and Alastair Smart. The exhibitions covered are solo shows, by artists Derek Jarman, Mario Rossi, Joan Eardley, Ian Hamilton Finlay, Elspeth Lamb, William Barns Graham, Ken Currie, Narelle Jubelin, Callum Innes, Alan Ramsay, Anne Redpath, Tony Cragg, Maud Sulter and group shows for The Glasgow School of Art Textiles with Barbara Santos Shaw and Lux Europa by Isabelle Vasseur. Mayfest and the Edinburgh Festival are covered in detail.
Notes on Royal College of Art Degree show. are included, as well as correspondence regarding Herald Art Collection to Harry Reid, correspondence with Caroline Ross, a research questionnaire on art criticism by Goldsmiths undergraduate student, correspondence regarding interview with Jack Lang in Paris, business card collection correspondence. Includes an invitation to Clare Henry’s Birthday, news cuttings of letters to paper on Clare Henry's reviews and copies of Clare Henry’s entry in Debrett’s People of Today and review of her selections in A Critics Choice at Cooling Gallery London. Also included are catalogue essay commissions for RAAB Gallery London Phil Braham, Robbie Duff-Scott, Tony Jones for Chelsea Arts Club.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald and The Scotsman unless otherwise stated.
Hand written, typed draft copies and printed copies of around 40 articles of 300-1500 word length, by Clare Henry for The Glasgow Herald and The Scotsman, January-December 2000. During this period Henry worked between the UK and the USA with many of the articles feature British artists exhibiting in New York and California, including Andy Goldsworthy, David Mach, Peter Chang and Richard Long.
Also includes articles written for Sculpture Magazine, Interiors Magazine Craft Council Magazine and Art Newspaper, covering visual art craft, architecture and related news issues in Glasgow, Edinburgh and London. Henry gives more context and opinion on Talbot Rice Edinburgh, James Turrell in France and the Festival International de Sculpture de Monte Carlo Monaco, and obituaries for Robert Hopper and Michael Kenny.
Other paper work includes correspondence regarding Critics Choice exhibition, article proposals and notes for a television piece on Jack Vettriano.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 28 articles of 1000-1500 word length, by Clare Henry for The Financial Times, January-December 2002. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York. Articles also written for Gabrius Magazine and The Sunday Herald. Other paper work includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 32 articles of 500-2000 word length, by Clare Henry for The Financial Times, January-December 2003. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 35 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2004. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 26 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2005. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 24 articles of 800-3000 word length, by Clare Henry for The Financial Times, January-December 2006. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 7 articles of 800-2000 word length, by Clare Henry for The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1993, with weekly articles and some weekend features including a new feature ‘My First Picture’. Articles also written for Art Review, World of Interiors and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stornaway, North Berwick, and Rutherglen. During the year Henry also covers art in Paris, Berlin and Venice. Some reviews focus on reviews of exhibitions in London Flying Colours Gallery, Flowers Gallery, Royal Academy London, Marlborough London, Whitechapel London, Barbican, Saatchi Gallery London and Tate.
A number of the Scottish reviews are for exhibitions at former galleries; Main Fine Arts Studio Gallery Gibson Street, JD Kelly Gallery, Gatehouse Gallery Glasgow and Intermedia Gallery Glasgow. The reviews also cover galleries; The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Art Politics in Glasgow and Scotland, Richard Demarco archive, Torrie Collection Sale, Edinburgh College of Art, Galerie Mirages Glasgow, Profile on Julian Spalding, Peter Howson Official war artist Bosnia, Venice Biennale, St Mungo Museum of Religious Life and Art Dovecot Tapestry Company exhibition. Other feature and perspective pieces on, Fuse, The Glasgow School of Art Friday Events, The Glasgow School of Art White Room, Martin Kemp Art Charter 2000, Transmission *10th Birthday on the Late Show BBC and several public art projects including Patricia Leighton and the M8 Art Project, Springburn Milestones, Sibyl von Halem.
Obituaries Elizabeth Frink and Marquis of Bute John Bute. The exhibitions covered are solo shows, Paula Rego, Alan Dunn, Niki de St Phall, William McTaggart, Dave Davies, Phil Braham, Peter Howson, Allan Davie, Douglas Gordon, Ken Currie, Tim Stead, David Hockney, Peter Howson, Gerald Laing, Steve Campbell, June Carey and Ken Currie. Group shows at Intermedia Gallery with Nathan Coley, Ross Sinclair, The Big Works at The Glasgow School of Art, Art Supermarket by Halinka Tyszko, Glasgow Group, FoTOfeis Scottish International Festival of photography and Edinburgh Festival are covered. Correspondence with Herald Editor Harry Reid. Commissioned essays for catalogues, The First 21 years, Glasgow Print Studios, Neil Macpherson and Boundary Gallery London
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Portrait of William Drummond Bone
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Annand, Louise
Mackintosh, Margaret Macdonald
Raeburn, Agnes
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 400-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1987, Art Review and The Guardian, for visual art exhibitions in Glasgow, Edinburgh, Aberdeen and Scottish regions.
During the year Henry also covers art in Los Angeles, India, France, and the Documenta festival in Kassel. The Guardian listings focus on reviews of exhibitions in London at Marlborough Gallery, the Haywood Gallery, and an exhibition curated by Henry, The Vigorous Line at Tuberville Smith London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery.
The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS and Transmission. The exhibitions covered are solo shows, by artists such John Taylor, Calum Colvin, Steven Campbell, Ken Currie and Ian Hamilton Finlay and group shows Desire in Ruins at Transmission Gallery, and The Glasgow School of Art Postgraduate and Masters Degree shows.
Mayfest Festival Glasgow, TWSA Glasgow (featuring George Wylie’s Straw Locomotive) and the Edinburgh Festival are also covered in detail. This file also includes longer feature and perspective articles on the Chatelherault House Restoration in Hamilton, The Glasgow School of Art Sculpture and Environmental Department, Richard Demarco Gallery conference on Scottish Culture, Art School’s in Crisis and an obituary on Andy Warhol. Some personal correspondence also included from Sharon Lances.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 275 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald January-December 1995, with Monday weekly articles and a weekend feature art guide feature, including a continuing series ‘My First Picture’ and ‘Collectors’ and a new ‘Studio’ feature and several book reviews. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stirling, Aberfoyle and Castlemilk.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow. The reviews also cover galleries; Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Compass Gallery, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on: Jock McFadyen purchase by Glasgow Museum of Modern Art under Julian Spalding, Winner of Lord Provost prize is Jenny Saville and Jacqueline Donachie is Young Artist Winner of American Fulbright Award, Visual Arts Forum and Glasgow´s £100,000 Visual Art Fund, Tramway Glasgow, Concert Hall Glasgow Murals by Steven Campbell, Peter Howson, Ken Currie and Adrian Wiszniewski, Peter Howson’s designs for Don Giovanni by Scottish Opera, Glasgow Festival of Visual Arts 1996 launch and Deyan Sudjic appointed director of Glasgow 1999 year of design.
The exhibitions covered are solo shows by Callum Innes, Douglas Gordon, Janine Antoni, Jack Vettriano, Stuart Duffin and Marina Abramovic. Group shows reviews include Decade, Street Level Glasgow, In Stereo, Transmission Gallery Glasgow and Persistence of Painting, CCA Glasgow. Mayfest and Edinburgh Festival are also covered in detail as well as Celtic Connections and Fotofeis. Degree shows at Glasgow, Aberdeen and Dundee are covered. Catalogue essay for Bet Low and other paper work includes notes on pictures used and correspondence to Keith Bruce, Jackie McGlone and Ron Anderson at The Herald.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Henry, Clare
David Donaldson and the 2nd Year Class, Back Studio, GSA, 42
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
Lunch, Original Refectory, GSA 42/43
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).
Gardner, Tom
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 235 articles of 250-650 word length, by Clare Henry for The Glasgow Herald and Art Review January-December 1983, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen and Paisley, also including several reviews of exhibitions in London at ICA, Serpentine and Tate.
A number of the Scottish reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, Corners Gallery and J D Kelly Gallery and includes review of inaugural exhibition at The Burrell Collection Glasgow and organisations Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruit Market Edinburgh (at this time also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including The Glasgow School of Art Postgraduate degree show and design and textile exhibitions. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: John Bellany, Bruce Mclean, Memphis Design, an obituary on the artist Miro, The Burrell Collection opening and the opening of Transmission Gallery Glasgow.
Articles written in this year which are not present in the archive:
Henry, Clare
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former honoury president of Glasgow School of Art.
Hutchison, Sir William Oliphant
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
Hutchison, Sir William Oliphant
*Not available / given
*Not available / given
*Not available / given
*Not available / given
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Schotz, Benno
Schotz, Benno
Schotz, Benno
Schotz, Benno
Schotz, Benno
Schotz, Benno