Extract from sketchbook (Version 4)
- NMC/0169A/v4
- Part
- c1912
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Extract from sketchbook (Version 4)
Purple mountains, loch.
*Not available / given
Valley with snow.
*Not available / given
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Corfe Castle, viewed from Corfe Castle Parish Church tower. Verso: To my friends Mary and Allan D. Mainds/ Corfe Castle Dorset/ A Souvenir from the Artists/ 1919.
Newbery, Francis Henry
Artwork
Dick, Jessie Alexandra
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.
Meldrum, William
View of small town with church and halls in the distance.
Bliss, Douglas Percy
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Unfinished study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Probably Scotland.
Miller, Josephine Haswell
Miller, Archibald E Haswell
Malcesine waterfront, Lake Garda, Italy
"Malcesine, Lago di Garda" (in pencil), bottom right.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study.
Pringle, John Quinton
Woman with hat.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Abstract skyline.
Pringle, John Quinton
Open flats.
Pringle, John Quinton
Study of trees.
Pringle, John Quinton
Country skyline.
Pringle, John Quinton
Fenced field.
Pringle, John Quinton
Houses and skyline.
Pringle, John Quinton
Mackintosh, Charles Rennie
Valley village with viaduct. Possibly the South of France.
*Not available / given
Village set amongst farmland and hills. Possibly the South of France.
*Not available / given
Farm buildings with distant hills. Two figures on roadway. Possibly the South of France.
*Not available / given
Buildings nestling amongst coves and headlands. Possibly the South of France.
*Not available / given
"AE Haswell Miller, 1922" bottom left.
Miller, Archibald E Haswell
Study of cathedral, with river to the foreground.
Paterson, Alexander Nisbet
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Miller, Josephine Haswell
"Josephine Haswell Miller" (in pen), bottom right; "Josephine Miller 1927" (in plate), bottom left.
Miller, Josephine Haswell
Mackintosh, Charles Rennie
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
Line of cottages, trees in foreground.
Gray, William
Landscape with trees and hills. Composition under-drawn with pencil grid.
Gray, William
With farm buildings in centre of composition.
Gray, William