Roof of Napton Church, Norfolk
- MC/G/12
- Item
- 1897
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
Queen Hippolyta's Guard - The Salute
Study of armed guards. Lower right: R. An Bell/1927/Girgenta Queen Hippolyta's Guard. The Salute Verso: Queen Hippolyta's Guard, The Salute/Robert Anning Bell R.A./28 Holland Park Road W.14 (in chalk) A. Bell.
Bell, Robert Anning
Study of a young woman. Verso: Drawing (sanguine), Maurice Greiffenhagen, RA. RP. LLD.
Greiffenhagen, Maurice
Landscape study.
Pringle, John Quinton
Unfinished study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Study of woman holding a plate.
Strang, William
Student copy of original seascape by John Constable. Possibly painted by John Laurie.
*Not available / given
Portrait of young man standing in front of fireplace.
Wilson, Helen F
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Malcolm, Act IV-III (from Macbeth)
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
A Room, The English King's Palace, Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
The English King's Palace. Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
A Camp, Act I, Sc I (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Act V, Sc I/Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Pharaisees & Rabbis (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton