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Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.

Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.

One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.

One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.

This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.

Designed for the schoolroom, Gladsmuir, Kilmacolm. The same two metal panels first appear in the design for the fireplace and fender probably intended for Regent Park Square and were repeated in the wardrobe designed for Westdel in 1898. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Typeset poster, lettering reads, 'Communication can be well mannnered, academic.....'

Montage of costume designs for the Masque of the City Arms.